In my artist summer seasons there is a pattern which seems to recur but is almost impossible to prepare for.

I arrive to it, exhausted and colonised by work.

I’m simultaneously ravenous for, afraid of, wrongly orientated for, unable to reach the freedom I have longed for for months.

The muscles of artist living and freedom enjoying have atrophied, replaced by obedience to structures I had no say in making.

I start playing the role of the version of myself that most recently inhabited the freedom, but without the inner substance all my attempts are flimsy and I feel vulnerable and frail and ashamed and disappointed that what I have longed for I am not enjoying, if even I can admit to feeling disappointed or ashamed, which usually I can’t because along with the obedience to structures I’ve lost the power to feel or speak my feelings.

I cast around for rescuers and they all disappoint me because I can only do the work myself, but this disappointment makes me feel despair.

I make indirect appeals for encouragement and validation but those too get ignored.

I feel pain.

With the wisdom of having experienced this pattern I have often pre-planned a container event that will preserve me through this turbulence. A visit to a museum, a favourite book.

This works well to prompt glimpses of the joy that will be there, but usually it’s so flimsy that one tricky conversation or unnecessary appeal for my time, responsibility or energy will distract me and the cunning plan will disintegrate.

Somewhere in here I might see an early sign of true substance.

This gives me the hope to persist.

The turbulence starts to become more manageable. The loops of disorientation repeat but their power starts to diminish. I am building the muscles of artistic practice again. I start to gain confidence. I start to remember who I am.

Eventually I will reach the mid point and all hell will break loose again.