I cannot face the hopeful girl

I cannot face the hopeful girl,
not tonight.
I’m OK sitting
in the firelight
that burns.

She knocks,
hopefully, and with some
restraint
on a door wedged in now
by damp, and rain.

I could get up
and welcome her
but I sit still longer,
safe with my
weary despair
well worn as
old slippers.

I can hear the rain
beating down
on her, feel her
presence flattened
for protection
against the wall,
or window, even
(the blinds are down)

Dare she knock again?
I wonder, not knowing
what I wish for,
on red-alert,
but poised to
dive for cover.

Inertia reigns.
What if she tries
another door,
gains welcome there,
instead? An
inner shriek
runs through me
at the thought
but still I sit.

‘Get up!’ rings
all around me,
a ghost chorus,
infiltrates the wild wind,
real, but powerless
to move my arms
and legs.

‘Wait!’ I call out,
barely,
and hope she will.

poetry resvolutions

I have decided to (secretly) pronounce my 2016 the ‘year of the poem’. I have nearly finished the book project which I have been working on for a number of years (along with my other work). There will be more spare time, and some of this I want to devote to a more sustained rhythm of poetry writing.  I have been inspired by my friend’s book to explore more of my creative history and to be braver about actively doing the things that will make me a better poet.  This includes things like writing every time I have even a small idea, sending more poetry to competitions and finding more places where I will receive advice from people I trust and respect.  I might even host a reading, although the ‘look at me’ nature of this concept makes me squirm.

Directly approaching poetry makes me feel a bit worried.  My experience of poetry is a lot like looking at the stars only out of the corner of your eye, so that you really see them sparkle whereas if you look straight on they diminish.  I feel a risk that if I really consider poetry on purpose it will run away and I will be left with the options of abandoning it with fake insouciance or chasing it down like an errant date. ‘Call me! Text me!’ (etc).

But not approaching it directly also has risks.  I feel the risk that the poems are a bit floaty; even that they show signs of neglect. With more input they might become more muscular and vital. I want to balance the tenderness of my writing with real fire and I feel that for this they may need extra help.

These are the kinds of things that the year of the poem might help me explore.

In the spirit of The Happiness Project, I am going to decide on some poetry resvolutions. I have not thought these through yet but I will be back with some options and a decision. The resvolutions need to be the right shape; not too restrictive so I get unhappy and not too vague so I don’t grasp them.  I have decided to call them resvolutions (silent v or silent s as you wish) because I hope over time the impact of the small steps will be large.

Happy New Year of the Poem!

 

 

flat Christmas moment – commentary

I have updated ‘flat Christmas moment‘ with two short additional lines. When I wrote the poem, at the very moment of completing the last line, the door did open and my parents returned from their walk in the woods.  I hummed and ha’ed about leaving the moment adrift, or bringing it to the same halt as experienced by the poet.  On balance I think the change of pace of the return of people adds an element of wry humour and a greater sense of reality. After all, the poem is about a moment, not life drifting on forever.

But I am open to new thinking…

flat christmas moment

The parents are out.
The nephews and nieces
play elsewhere.
The presents are opened.
The lunch has been eaten.
The papers have been read.
The presents have been
perused.
The calls have been made.
The texts have been sent.
The run has been run.
The sales have been scouted.

It’s not quite dinner.
Etiquette does not yet
demand thank you notes.
No decisions are pending.
No-one else is in the office.
It is silent
beside the fire hush.

Time flattens out,
contours settle and
knots of muddle
unravel into
ordinary peace.
Tea goes cold,
expectation hovers,
then concedes.

Life drifts.

Front door scuffle;
they’re back.

Christmas exhaustion

Eighty home-made
Christmas cards
for friends and clients
alike wing their way
across the world,
Russia, Poland,
Luxembourg, Italy.

Forty presents,
be-tissued, wrapped
with Father Christmases
on sleighs and in chimneys
carrying sacks, all
tied in (matching) ribbons,
cherry red and
snowy ice-blue.

Ill friends, one, two
three, visited with
cheer and gifts and
hugs (I didn’t lean
in too near).

Three family
dynamics
navigated, care,
honesty, tears,
grace and hope that
one day things might
change.

Four little niece-
and-nephews imagined,
researched, added to,
subtracted from, and
last-minute flash of
inspiration,
of course.

One carol service
invited to, sung at,
giggled in,
got distracted by
small children’s
wonder, and several
glugs of cooling
mulled wine in
too-warm weather.

Five invoices sent,
fingers crossed for
payment (no),
money switched
between accounts.
‘what d’you mean
five working days?’

One to-do list
half-crossed,
neighbours’ gifts,
tick, more ribbon,
tick, pine and
eucalyptus spray,
tick, but
packing, taxi,
picnic still to do
tomorrow morning.

One poem written.

My weariness
rests
on a bed of quiet
contentment.