Sing

You, faintly beating heart,
wounds louder than
your loves, your hopes
yet beating still, yes,
although your sounds are drowned in
work and fret

I hear your fleeting glimpse
I hear your leaping hope
I hear the strain of aching long ignored
I hear containment creak its last captivities

You, voice
in secret humming hopefulness, yet frail,
weak from your hiding places
convenience, old stories, loss,
the places you elude
a confrontation

You, whose voice, whose heart
I know has power,
I call you, whole,
to open up the gates of hell
unlock the brokenhearted
retrieve the lost and lonely

Sing with me, you of heart, of voice, sing!
Sing heart! announce the dawn!
Sing voice! stir the fires of hope!

Sing future into our beings, our fears, sing wonder!

Sing, sing, you, lover of humanity
lead us in your tender songs
Let our cries heal hearts,
our whispers mourn
our laughter triumph

We cannot live our sorrows alone
sing what you were made for
sing what you are made of

Note: this is a poem in progress. Sometimes when I am writing it is like the poem itself is struggling to be born through the still-existing layers of patriarchal culture, and postmodern ideology; the heart of the poem is there, doing its best to be born full and whole, but in fact by the time the heart makes it into the voice, it is bedraggled and bleeding, showing signs of struggle. So this is best seen then as a draft or pr/echo, and perhaps something more resonant and whole will come soon.

surrender

I demand
your full and complete surrender.
I cannot afford for you to
smuggle in your idols
your entanglements of control,
manipulation, histories of lies
and poisons served to you
by the destitute.

Now! to love!
unconditional and sweet
beyond all being, beyond us,
beyond; a terrifying depth
that will elude us, often
and yet in longing,
lure us in
a fire, a fountain, a fullness
luminous in being
generous in hope
a truth of grace

I see your fear.
know it, intimately,
as my own.
I cannot concede my ground
however angry you become,
not having things your way.
The terms handed down to you
are a prison for us both.
I won’t sign. Your self-pity
doesn’t move me.

I choose love.
I choose love for us, again and again and again.
I will hope for better things. I know you long
for such.

I see your weariness, long depletion
of your heart until
you barely felt its presence
heard its beat.

I hear it.
I hear it echo from the future loud and strong
I hear it magnificent and wild and good and free.

Heart, be free!
Release yourself to love!
Brave heart, choose hope once more!
Shake off your disillusion!
Sing, hope, dance!
Your fears are mere impostors.
Rip up the twisted contract
full of woe.

I hold my breath, the hush of all creation.
Will you,
in triumph,
surrender?

the studio inside – rhythm

All the while of la vie suspendue en l’air and la vie revenue à terre, I have been maintaining, more or less, my studio rhythm – piano, writing, documentation. So then something is going on in the studio inside, but to me, there is a kind of absence. An absence of expression. There is something about painting in particular that releases me into some kind of inner depth, while, mysteriously, materialising this depth into a visible form.

Is something preventing me from getting there?

Sometimes I just need to insist.

But as I write a recognise, yes, I’ve been doing immense works. Inner ones, in most cases, but also material ones of another sort – organising, unpacking, tending.

Perhaps now is time to try another intensity of insistence. Maybe I have a week before I leave for traveling to insist this into reality, to come home to water and colour, and to see what I find there…

door way

a door
you, who have come here
moved in, unlocking things
before I noticed,
What are you doing here?
Where did you find those keys?
and who told you where to find
those
locked up places?

Who are you to me?
Will you just unlock and leave?
leave all these rooms open?
for someone else to explore?
Are you a door yourself?
a key?
or a wide expanse of being, to discover?
a togetherness?

a depth?
a sea?


revenue à terre

As suspected I’ve come back down to earth, an event somewhat hilariously marked by the very material and grounding purchase of a new sofa. Although, excitingly, one with more space for a new season.

The change of seasons is always a kind of strange moment. An old prophesy calls the listener to ‘enlarge the place of your tent’, exhorting ‘lengthen your cords, strengthen your stakes’. The image that always come to mind in this moment of a season shift is of the tent pegs disinterred, and the flaps of the tent flailing wildly in the air. Flailing, the perfect word for this kind of moment.

So now I’m not sure what the rhythm is. I’m aware that I have made progress in tending the studio inside, but I have not really inhabited it yet. I know this because I have not been painting, nor recently written a poem. Things are a bit flimsy.

There is no way to force this into a discovery, a moment, it’s a kind of waiting and that’s all there is to it. But in the meantime I take time to replenish all my stocks, feed my plants, shop for basics. I know that when the adventure arrives, I will be glad to be replenished.