story

blows and beauty

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I was radiant with hope
delighting in the beauty
the truth, luminous over
my being, my story.

Blows rained down,
as if a cudgel to the heart
yet mere words.

You took my fears
as a script, copied
the old patterns
I thought I had, perhaps
eluded.

You crushed all joy from me
dismissing that it once
was shared, that depth,
the wonder of a true
communion.

Or was it? Certainty you
sowed with doubt, did you?
were you? how could you?
To our dreaming together you said,
no, alone.

An uncanny insistence
growls irritable from deep within me.
Trust your heart; your
own wisdom is truth.
Believe yourself.

What do I say to you now?
Can I undo myself from the
places you have
conveniently assigned for me
not to cause disturbance
not to trouble your
nice new story?
to elude the work
of making ground?

Can I heal from the idol
jailer of your own captivity?

My battle now is yours,
unfought.

I am not ruled by
convenience or comfort.
I seek truth.
Your blows have momentarily discouraged me
My wounds will heal
A mere skirmish, I will announce,
My laughter will return.
I will dance again.

I have lived this story before,
perhaps, yes,
some may say
but now I’m wiser

I untwist the events from your grasp
evil prophet,
I laugh giddy at my freedom, my knowing
this time the story will belong to beauty.

return to the studio

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I have spent the summer tending ‘the studio inside’ after my one week residency in June. The communal garden has been a studio. And my neighbours’ apartment with their piano. But the days are getting colder and soon the neighbours will return to inhabit their city home full time.

I returned from holiday and two absences stared me sternly in the face. Indisputable and unmoveable. One was the absence of a studio.

I am a very joyful person and quite good at smoothing over bumps and being grateful where gratitude can reside, but somehow the absence of a studio is very stern, and immune to substitutions or platitudinous comfort. There is a joy in a studio which literally nothing can replace. This is a mystery to me. I’m somewhat reluctant to concede this ground.

But maybe starkly facing our absences has an importance? So I pondered to myself.

Into this absence I said a fierce prayer. If your commitment to existence is not to control your longings nor to detach from them, both of which constitute a harsh diminishment of human being, and if you refuse to despair, a fierce prayer is mostly what is left. I leave the deeper questions for another time, but in this case I was astonished to find, shortly thereafter, I was sitting in a studio again. A temporary arrangement, but astonishing nonetheless.

I reviewed the writing I did here at the start of the summer. I pondered the renovation of ‘the studio insight’ and now reflecting, this is indeed what has happened. Through piano, plants, play, seaside, parties, festivals and dancing, many of the old broken places have been substantially mended.

The day I heard I would have a studio, a project took shape in my being. Since that day, a series of disruptions have overwhelmed my daily life. This is a recognisable and now almost encouraging pattern showing that I am on to something.

This does mean however that some of the renovating got trashed so now I am attending to that.

But there is a deep thrill in the heart of the project, and its existence cannot be prevented.

the studio inside – rhythm

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All the while of la vie suspendue en l’air and la vie revenue à terre, I have been maintaining, more or less, my studio rhythm – piano, writing, documentation. So then something is going on in the studio inside, but to me, there is a kind of absence. An absence of expression. There is something about painting in particular that releases me into some kind of inner depth, while, mysteriously, materialising this depth into a visible form.

Is something preventing me from getting there?

Sometimes I just need to insist.

But as I write a recognise, yes, I’ve been doing immense works. Inner ones, in most cases, but also material ones of another sort – organising, unpacking, tending.

Perhaps now is time to try another intensity of insistence. Maybe I have a week before I leave for traveling to insist this into reality, to come home to water and colour, and to see what I find there…

door way

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a door
you, who have come here
moved in, unlocking things
before I noticed,
What are you doing here?
Where did you find those keys?
and who told you where to find
those
locked up places?

Who are you to me?
Will you just unlock and leave?
leave all these rooms open?
for someone else to explore?
Are you a door yourself?
a key?
or a wide expanse of being, to discover?
a togetherness?

a depth?
a sea?


revenue à terre

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As suspected I’ve come back down to earth, an event somewhat hilariously marked by the very material and grounding purchase of a new sofa. Although, excitingly, one with more space for a new season.

The change of seasons is always a kind of strange moment. An old prophesy calls the listener to ‘enlarge the place of your tent’, exhorting ‘lengthen your cords, strengthen your stakes’. The image that always come to mind in this moment of a season shift is of the tent pegs disinterred, and the flaps of the tent flailing wildly in the air. Flailing, the perfect word for this kind of moment.

So now I’m not sure what the rhythm is. I’m aware that I have made progress in tending the studio inside, but I have not really inhabited it yet. I know this because I have not been painting, nor recently written a poem. Things are a bit flimsy.

There is no way to force this into a discovery, a moment, it’s a kind of waiting and that’s all there is to it. But in the meantime I take time to replenish all my stocks, feed my plants, shop for basics. I know that when the adventure arrives, I will be glad to be replenished.