breath, breathless

stumble through the doorway
running, it seems I was
though now the old reality
seems distant, though yesterday

catch a breath
a gasp slow motion
exhalation, panic,
gulp another moment
sigh, disordered in
my being,
restless still

racing rat, fraught
thought, fought,
forlåt, what was that?
a tale, though how
you chased it

welcome
you are my guest
arrive, draw in deep,
what’s mine is yours
inhale hopefuless and wonder

my sighs pursue me,
echo the space alarmed
what happened to you?
life

a sweetness as a breeze
rose, orange blossom, peony,
fresh rain on gentled grass
far seas

I am arriving
I am born alive

Note: This is from the studio series inspired by paintings in my studio. The later paintings were written to the tune Divenire by Ludvico Einaudi. I can no longer remember if this one was. This is painted in Rose Madder, Permanent Rose, Cadmium Yellow, Cadmium Orange (all Windsor and Newton Professional) and Light Gold (Rembrandt). In my work these specific orange and yellow paints are indicative of the presence of a kind of fire, an element of the warrior nature. This first painting is the only one to use the fire colours. As if the arrival in the studio was a last breath of fire before the inhale and exhale of a more tender and touching reality.

light

There is something so light in this week in the studio. Perhaps it’s because of that, that it is only a week, even though I long for something more permanent.

I am accustomed to large-scale, intense, no-end-in-sight-for-months-or-years projects. I have deeply integrated the virtue of difficulty, its capacity to draw out a wildness, a unique depth of self that is rare and to be treasured in our how-long-can-I-distract-your-attention-from-anything-important world.

And then here I am, tumbling into this week, breathless and weary from my other work (in business, since you ask) and I find myself in something so sweet and beautiful and light. I somehow feel no pressure. I have elegantly disembarked from my responsibilities. I had no time to weight the week with intentions. I am existing, pure and free.

It’s such a pleasure and so unusual as a grown woman to encounter such an interlude. And it has, I must admit, taken some diligence and hope to protect it.

But I wander about, peaceful, playing, and I can feel a luminous uncanny that I have not sensed for a long time, magnifying within me.

the year of the poem, a pondering

The looping that I have noticed is in particular taking me back to the year two thousand and sixteen, ‘the year of poem‘ (strangely I did not feel like writing digits, I am aware it looks a little odd). With some fanfare I christened this year with a title of such vast aplomb it appears that I sank under the weight of it.

The ‘year of the poem’ plummeted from its giddying heights to a swift confrontation with reality, as I quickly realised. The ‘poetry diary‘ stayed buried in a box, poems remained unwritten, even the ‘editing poetry course‘ became an ordinary memory with startling rapidity.

No more ‘year of the poem’ musings were mused.

But now looking back, the year of the poem was speedily despatched, not because the poem element was too small, but because it was too big.

Somehow, a pre-existing poetic dimension took hold of my whole entire life.

And, of course, being frail, not really realising, consumed by other things, practicalities, transitions, this elemental condition was not fully grasped.

Dizzying though it may sound, preposterous though it feels to write, what happened to me in the year two thousand and sixteen is that my weary, care-worn ways of being were shed, like an age of reason skin, and I leaned into trust, to relinquishing control and holding on to faith as a human experiment. And slowly but surely, the very substance of my being mutated into wonder.

What does it mean?

I’m still not entirely sure.

loop

Something is looping it seems to me. Here I am, after all, in this blog again, suddenly drawn to it, unexpectedly. What is there for me in my earlier self, I wonder. What is there for me in this representation of a me that you, by being there, sometimes liking, create? It’s mysterious.

I have a week in a space that completely transformed my life, over five months in the summer of 2020. Yes, that summer. Perhaps I will write more about it another time but I knew then and knew even more later, that a fundamental shift had taken place in my perception. Perception of the world, perception of self. I had joked that 2020 would be the year of seeing clearly. The joke had me.

So then here too is a loop.

And I find myself rereading the stories of my childhood.

I’m so much older that when I began this blog. I feel it. I can feel the resonances of greater substance, ontological weight, density, weariness, power. I have ‘made my bones’ but they are heavier to carry around, whereas surely there should be a more expansive freedom?

The true lightness of freedom, the true depth of well-formed substance. Another mystery.

So then there is this younger self. I recognise her and I feel triumphant. The self she was wondering was there is me. Her innocence touches me and I wonder if I can rediscover that. Surely that is a treasure? It is not-knowing and it is, I realise as I write this sentence, fear. I am at risk of an idealisation. It was terrible to be that vulnerable, continually not knowing if there was something there, risking everything with the possibility of nothing.

Something was there.

Perhaps though this is the rediscovery and the loop. That vulnerability recurs. The sight of an old tree in spring always touches me. All those frail sensitive quivering leaves on those full grown sturdy branches. It strikes me how rare it is to see those qualities in a person. Fragility is for the young, it seems, the full grown branches necessitate a kind of firmly-enforced self-protection.

I’m getting nearer some kind of reconnection and when I do I will know what it is. It will be a freedom and a lightness. It will be a reunion and an intensification, an expansion of substance.

And in the meantime, I will write this all to you, who carry the me I might become.

hovering, waiting, writing

I’m here but not quite there. I can feel the jumble of myself, from working working working. The truths have got entangled. What I know I believe I can’t quite remember, can’t retrieve.

Yesterday an old thought stole into my pondering, as if it had dug its way out of the weary piles of tasks, remnants of the last months, and as if entered by another door, catching me off guard: ‘What if I lived as if the central truth of my romantic life is that I am living an epic love story? Preposterous, if the evidence is assessed, past disappointments lined up, absences annotated.

We are all living an exhaustion it seems, one we didn’t entirely see coming, because even the pessimists did not really predict it.

What if a greater beauty was still left? What if it was our choice of position that will unleash new hope. What if the story was wilder?

The thought had already made itself at home with startling nonchalance. Did I let it stay, or barricade it back out? If it stayed, it was going to require some rearrangements to the inner terrain, the inner furniture.

Do I let myself be vulnerable to hope (again)?

Suddenly, certain glimmering memories, surfaced, becoming fuel for dreaming.

And if I allow the preposterous to become the obvious, how do I then live?