hushed

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I was in two minds about whether to write this writing first, or the other one, which I will soon also write and post, but this came first and it felt like it deserved its place.

A hush really descended with the painting and poem that arrived called hush.

‘A hush descended’ – an evocative phrase to which I have never given a moment of serious attention, and all of a sudden the precision of the image is startling, as are the implicit poetics. ‘Descended from where’, I have literally never asked, despite encountering this reality many times.

From wherever it was previously, it descended. Perhaps it also was where it was previously, like a mist.

And it descended on to me, into me, a saturating silence, and had an effect, as to order all the atoms of my being in a peaceful direction, like the magnetic field on iron filings.

Mysteriously this is accompanied by a kind of paralysis of thought, but not an alarming one. Instead of making an effort to dig deep, uncover, investigate, tease out, they drift. A freedom, a mystifying intertwinement of the heights and the depth, and me.

And here I am in that hush and a kind of new beauty feels like it is unfolding.

hush

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Hush, a calm descends
Twilight blossoms its stillness
into night

I heard you breathing
Or did I dream
I heard you, sure
I heard you

pooled serenities
stars, songs, sea, storm
still a stillness
sovereignty

shh suspension
whisper not
a movement
lulls me, lulls

Peace amidst a glimmer
is it night?
it shines
certainty

Hush into this
vast birthfulness
cradled child
we are a oneness

Note: this is the last (I think) poem written from the Divenire series, painted to the backdrop of a performance (to myself!) of Einaudi’s work. The work for this poem is created in the same colours as before, but resulting in a work of profound peace, although there is a sense that in the depths, something new is already stirring.

breath, breathless

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stumble through the doorway
running, it seems I was
though now the old reality
seems distant, though yesterday

catch a breath
a gasp slow motion
exhalation, panic,
gulp another moment
sigh, disordered in
my being,
restless still

racing rat, fraught
thought, fought,
forlåt, what was that?
a tale, though how
you chased it

welcome
you are my guest
arrive, draw in deep,
what’s mine is yours
inhale hopefuless and wonder

my sighs pursue me,
echo the space alarmed
what happened to you?
life

a sweetness as a breeze
rose, orange blossom, peony,
fresh rain on gentled grass
far seas

I am arriving
I am born alive

Note: This is from the studio series inspired by paintings in my studio. The later paintings were written to the tune Divenire by Ludvico Einaudi. I can no longer remember if this one was. This is painted in Rose Madder, Permanent Rose, Cadmium Yellow, Cadmium Orange (all Windsor and Newton Professional) and Light Gold (Rembrandt). In my work these specific orange and yellow paints are indicative of the presence of a kind of fire, an element of the warrior nature. This first painting is the only one to use the fire colours. As if the arrival in the studio was a last breath of fire before the inhale and exhale of a more tender and touching reality.

disturbance

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And then, not quite the moment I’d mentioned the word ‘rhythm’ but not long after, the pattern has been disturbed. I forgot to bring my journal home from the studio, disrupting my normal writing time first thing in the morning. Then I realised that my carefully-herded into a less obstructive timeslot client meeting now required a fully powered laptop, but that that the ageing battery was at 73% and could not be relied on to last. Rushing over to the studio where the charger had been left meant that there was no time to play the piano before I left home.

And so on and so on..

In the wider scheme of things these minor turbulences are, of course, negligible. But I cannot live my creative nature patrolled by the legitimacy police. My creative work is to try to shimmy myself into the tiny cracks of the most vulnerable, neglected places of (my) being. That process is easily disrupted and I cannot help but be protective of it. A luxury, one might remark, and yes, in the context of what is going on around us that luxury is stark. But in the context of my own story it’s not quite so indulgent as that term implies, and perhaps if our world spent a little bit more time and care on its vulnerable places we might sleep easier.

So then, disturbance (category: small, agreed). As the etmology unveils, it is disorder, grief, agitation, turmoil, bewilderment, muddying, stagnation.

In the lightness of this season though, the disturbance, while apparent, is less of a suffering. In one of my favourite television programmes, the idea of ‘stirring up the waters’ is seen as having value, of offering a way out of weary patterns.

Has my rhythm already become a confinement?

Unknown.

I traversed all the minor disturbances, and now I am back in a more or less calm serenity. Or do I delude myself? I am awaiting a message and that message may have power to truly disrupt me, so then, yes, perhaps I am serene, but I am also aware of something stirring the nature of this calm existence, something beyond my reach and beyond my control.

And I wonder what it has to offer?

sea singing

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sea singing
carries from the depth
express in
jubilation
joyous in the day, the night

sea singing
shadows shift before me
open up in wonder, your heart,
your soul

rent the sky with longing
joy tears
a rift in pains
hope, hope anew

light, a faint initiation
rites a hymn of potency
a song a song a song

weave a thread of laughter
shadows mourn no more
luminous becoming
fulfil fulfil

sea singing
oh to catch this in a shell, to listen
evermore evermore

Note: this is the third poem (/song) in a series written to Divenire by Einaudi played by the poetess after a long absence. Title of an abstract watercolour in the same colours as before.