light

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There is something so light in this week in the studio. Perhaps it’s because of that, that it is only a week, even though I long for something more permanent.

I am accustomed to large-scale, intense, no-end-in-sight-for-months-or-years projects. I have deeply integrated the virtue of difficulty, its capacity to draw out a wildness, a unique depth of self that is rare and to be treasured in our how-long-can-I-distract-your-attention-from-anything-important world.

And then here I am, tumbling into this week, breathless and weary from my other work (in business, since you ask) and I find myself in something so sweet and beautiful and light. I somehow feel no pressure. I have elegantly disembarked from my responsibilities. I had no time to weight the week with intentions. I am existing, pure and free.

It’s such a pleasure and so unusual as a grown woman to encounter such an interlude. And it has, I must admit, taken some diligence and hope to protect it.

But I wander about, peaceful, playing, and I can feel a luminous uncanny that I have not sensed for a long time, magnifying within me.

wild the sea; the spray, gold

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storm, the wildness is coming
restless, I scent the rain
distant, but nearing
me, adrift, chop

currents crush me to
each other, press into my
skin, insistent
you are mine, Mine
I don’t belong to myself

forces pull on limbs
a vast rose crimson,
pulsing in the drench

clatter, rain advancing from
another shore, nearer still,
nearer, sound the drums of
torrents, clash against clash
whip, foam, soak, slap,
gasp, yet not a drowning
yet

monstrous pitterpat
hail, rain!
splatter
tumult a poor shelter,
lift me up, hide me
may I nestle in your ferocity

dip into the pinkish hue
silence a moment
down
returning,

surface
all is rose dawn
wild sea; rain-spray, gold

Note: a second poem in a series painted to Einaudi’s Divenire, played by myself after a long absence. This life size abstract water colour is painted in Rose Madder and Permanent Rose (Windsor and Newton Professional watercolour) splattered with Rembrandt Light Gold (Series III watercolour)

the year of the poem, a pondering

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The looping that I have noticed is in particular taking me back to the year two thousand and sixteen, ‘the year of poem‘ (strangely I did not feel like writing digits, I am aware it looks a little odd). With some fanfare I christened this year with a title of such vast aplomb it appears that I sank under the weight of it.

The ‘year of the poem’ plummeted from its giddying heights to a swift confrontation with reality, as I quickly realised. The ‘poetry diary‘ stayed buried in a box, poems remained unwritten, even the ‘editing poetry course‘ became an ordinary memory with startling rapidity.

No more ‘year of the poem’ musings were mused.

But now looking back, the year of the poem was speedily despatched, not because the poem element was too small, but because it was too big.

Somehow, a pre-existing poetic dimension took hold of my whole entire life.

And, of course, being frail, not really realising, consumed by other things, practicalities, transitions, this elemental condition was not fully grasped.

Dizzying though it may sound, preposterous though it feels to write, what happened to me in the year two thousand and sixteen is that my weary, care-worn ways of being were shed, like an age of reason skin, and I leaned into trust, to relinquishing control and holding on to faith as a human experiment. And slowly but surely, the very substance of my being mutated into wonder.

What does it mean?

I’m still not entirely sure.

patient stars on a passion sea

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I am a sea for you, and all my
other realities, hang
longingly, waiting

an intensification of the waves, tender pink,
growing moody, faint mauve hues, rose absolue,
crimson interdit
almost red, almost dark, almost night, almost
dawn

roiling, I lurch another night
unknowing, other
to myself and to those who know me
daytime

a restless wakening, a dreamless
depth, a haunting utter knowing
beyond, beyond

the stars arrive,
intensification of light
patient, delighting
eternal, vanishing,
shine singing

vanquishing
the sea the sea, it wrestles
warm, hot, cool, chill within me,

I hope, I pray

Note: This poem was written in response to an abstract watercolour painted to a recording of myself playing Einaudi’s Divenire. I played this for the first time this morning having had no access to a piano for the previous three years. It was full of mistakes, hesitations and interruptions, but beautiful.

loop

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Something is looping it seems to me. Here I am, after all, in this blog again, suddenly drawn to it, unexpectedly. What is there for me in my earlier self, I wonder. What is there for me in this representation of a me that you, by being there, sometimes liking, create? It’s mysterious.

I have a week in a space that completely transformed my life, over five months in the summer of 2020. Yes, that summer. Perhaps I will write more about it another time but I knew then and knew even more later, that a fundamental shift had taken place in my perception. Perception of the world, perception of self. I had joked that 2020 would be the year of seeing clearly. The joke had me.

So then here too is a loop.

And I find myself rereading the stories of my childhood.

I’m so much older that when I began this blog. I feel it. I can feel the resonances of greater substance, ontological weight, density, weariness, power. I have ‘made my bones’ but they are heavier to carry around, whereas surely there should be a more expansive freedom?

The true lightness of freedom, the true depth of well-formed substance. Another mystery.

So then there is this younger self. I recognise her and I feel triumphant. The self she was wondering was there is me. Her innocence touches me and I wonder if I can rediscover that. Surely that is a treasure? It is not-knowing and it is, I realise as I write this sentence, fear. I am at risk of an idealisation. It was terrible to be that vulnerable, continually not knowing if there was something there, risking everything with the possibility of nothing.

Something was there.

Perhaps though this is the rediscovery and the loop. That vulnerability recurs. The sight of an old tree in spring always touches me. All those frail sensitive quivering leaves on those full grown sturdy branches. It strikes me how rare it is to see those qualities in a person. Fragility is for the young, it seems, the full grown branches necessitate a kind of firmly-enforced self-protection.

I’m getting nearer some kind of reconnection and when I do I will know what it is. It will be a freedom and a lightness. It will be a reunion and an intensification, an expansion of substance.

And in the meantime, I will write this all to you, who carry the me I might become.