artist

perseverance: suspendu en l’air

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There I was all in persevering mode with happenstances aplenty and ferocious efforts and all of a sudden (well actually it snuck up on me):

Heat, and a cough.

It sounds so prosaic. Probably it’s meant.

All my wishes, intendings and momentum are scrambled. I am slowed down in a kind of ancient and insistent pace. I can’t do the things I wish to do; I can’t go to the places I want to go. It’s the first summery weather here for weeks and I can’t cycle to the seaside or bear to lie on a hot rock even if I got there. I’m in a continual internal argument with Little Miss High Achiever who seemingly cannot help but persist in believing that concrete reality is for losers and wishes should triumph. (And I should have compassion on her because indeed the feeling of disappointment is intolerably near to defeat).

I am well enough to do this and that (here I am after all, and I played the piano although the piece sounds slightly less rippling punctuated by a rasping cough). But it is as if everything has been suspended in mid air, that a certain kind of time has stopped and I’ve arrived into a different one, chronology displaced by eternity.

Oh the wriggling and squirming before this kind surrender.

But yes, I let go of everything, I choose to let the moment of suspendu en l’air be a kind of grace to me, to whatever is going on. (And somehow it is always a consolation to experience the exquisite perfection of the phase in French).

Something beyond me is at work, and in accepting this I find a renewal of hope.

the studio inside, threshold

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Persevering with the studio rhythm as a path to the studio inside is starting to pay off I notice.

Something that I did in the real studio rhythm was to record my morning piano playing, and then later to play it to myself. I am not sure what made this idea occur to me, because never before have I listened to my own playing, still with mistakes, hesitations and an overly long pause needed to turn the pages, as a source of joy. It took long years as an adult to recapture any of the delight of playing as a child, so painful was the décalage between my old competence and new ineptitude. And to actually record and listen back to myself was excruciating.

Yet here I am, and there is something in my own music. It’s mysterious to me.

So yesterday for the first time I played my music back to myself in the more ordinary setting of the apartment. I was a bit disconsolate and needed something to soothe the mean fears that had crept in to try to nibble on a new joy. And this playing filled the apartment with fully-human-with-all-her-errors-being. There is something in myself that is trying to tell something, to offer something to myself. What is it? Mystery.

But this, I realise, is part of the perseverance of the studio inside. And the playing of this yesterday made me feel today like I am on a threshold, and that soon I will be able to more fully live my creativity into the summer, even without the much longed for material studio. The elements are nearly all in place.

(I will know I am there when I am able to paint.)

the studio inside, a discovery

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This morning, at long last after the wild month of June, I recovered my sense of myself and the poetics of my year (my explorations of the poetics of existence and what this means for me will have to wait til another time). It was a moment of delight. I found my other self, the one that I had been severed from by difficulty, demands and distress.

What was it that made me see into it? I am not quite sure but it was something about my July clearing and it made me look back to the last large event in my life (moving home, another longer story). Then I noticed that it was exactly nine months since this moment, a period of time which always speaks to me in a deep way, and lo and behold, yes indeed, as I started to map the timelines of this season, insights and memories emerged that I had completely forgotten and the poetic significance they have in my story suddenly re-emerged.

Perhaps they are not linked but in close proximity to this I made my discovery: There were rhythms in even my short studio week that made a path into my creativity. And what I noticed this morning is that, while the physical studio is not longer mine, and the studio inside is (as I noticed yesterday) somewhat vulnerable, there is this studio of the rhythm.

Perhaps I had already felt this lurking, but to truly alight on it felt splendid. And quickly I recognised: I can live the rhythms of the studio day into my no-studio day, and somehow I will have created some room of my own within the wilds of existence.

Of course I am not so naive as to think a studio rhythm will replicate entirely the emphatic (and political) reality of material space, but there is something in it, and I know it is going to make a space for something. A pathway to and shelter for the studio inside.

the studio inside

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The week long residency in the heavenly studio came to an end. I cleaned, tidied and locked up.

I went to the Watercolour Museum on a pilgrimage and I was too tired to relish it (although I had enough energy to be annoyed by patriarchal posturing and no women’s voices.)

I came home wondering:

What next?

My weekend has been full of sweet social moments, a hiatus of grace.

But something in me is alive. How do I make space to create, what should be the rhythm, what happens in the hush. I have business work to do, but a distaste for harshness and discipline, which in my studio week, I escaped.

At the end of the week I was so tired I felt like perhaps the one week’s output had been enough for a whole summer.

But it hadn’t.

There is something in me and its precious and needs to be tended.

Yes, there are canyons of chores awaiting my attention, but there is something more… an insistence.

And a thought occurs to me:

Maybe the time in the studio was renovating

the studio inside?

unfinished

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It’s three o’clock in the afternoon, Central European Summer Time.

I have had a beautiful time in the studio today, the last day, but it feels unfinished.

My contemplations of two more large works, finishing triumphantly and emphatically, have not materialised. Maybe I should blame the hush?

A visitor came to see my work and she stayed longer than I expected. Longer in a good way, but it meant that my last hours are curtailed.

Perhaps I would not have painted triumphant works anyway.

There is always a pull in me to pour everything out to the last drop, to the death.

But what happens when it’s a moment for birth?

I am swooshing a bit in my own uncertainty, in my own interrupted cadence.

I think this is where I am meant to be.

So then I will start to clear up.