washed up

She set sail
for distant shores
from home.
She stayed indoors.

And all the world
unfurled in that
small hand and
took shape as
large as life could be.

Her poetry, afire
set out to sea.
Glass bottled
tears adrift on
waves of time.

And laughter too,
And beauty, loss
and tiny sparks
of tender feeling
rolled up and tied

with lines of pen
and ink
bobbed as currents
pushed it to and fro

and so to me, in
my small hand,
a visitor on distant
shores where she
would never tread.

Where Emily would
never go, her
poems went
instead.

 

 

 

poem by the light switch

(For Ruth)

Water is taught by
click – on
thirst; Land 
wipe off grubby finger mark
click – off
by the oceans passed;
Transport, by the throe;
click – still off,
click, change bulb,
click – on
Peace, by 
‘What do you mean,
“what am I doing in there?”‘
its battles told.
Love, by memorial
click – off,
(distant) ‘I’m here now’
mould; Birds,
by the 
click – on
(forgot something)
‘oh look it’s…’
click – off
snow.

Note: This poem is an homage to my friend’s music teaching room where she had taped lines by Emily Dickinson to her wall, above the light switch. On investigation, the lines are from poem CXXXIII in the ‘Time and Eternity’ section in Collected Works (1924).

a beautiful diminishment of beauty

Get ready
for a beautiful diminishment
of beauty.

I am braver.
Expect the ragged,
messy and bits of
mud and blood,
thorns and straw
poking everywhere,
astray.

I will drag through a hedge
backwards and
not care a jot.
I will go flying,
fall face down and
laugh
brazenly,
with tears.

I will wade into
a torrent,
snare my bare
foot in stones
along its bed,
soak right through and
nearly drown,
with longing.

I will try so hard
to form the impossible
that it will form
in me,
and you,
so beware.

Beauty is on its
way out because
it’s coming.

 

year of the poem – thoughts

Having christened 2016 the year of the poem, I have been continuing to ponder the actions that will honour the name. How can I weave a path that eschews the rigidity of pre-planned milestones and preempts the risk of listlessness?

A living structure is starting to emerge.

It turns out that somewhere in me, a poetic year is unfurling itself. I want to talk about poetry, I want to ask people about poems, I want to explore poem things. The year of the poem is on its way seemingly of its own accord. Milestones even as an idea are already redundant and floaty listlessness seems remote as the momentum gathers itself.

While it is still early in the year, I am coming to understand that the year of the poem declared itself. It was going to happen and I merely announced its arrival.

So instead of worrying about the year of the poem becoming a place of constraint, or requiring a battle of wills (‘the year of the poem‘), or a list of ‘poetry resvolutions‘, I discover a curious peace, requiring nothing more than my own love and attention.

Some more small notes:

* An interesting question occurred to me:  What if my mother (and fan of extraplorer) was not complimentary about my writing merely from motherly duty, but because she –  an adult woman lover of literature in her own right – really saw a gift?

* What if I was not excited about my own poetry merely because I love myself (ego, ha!) but because I could recognise something good there?

I do not usually think of myself as someone who is unduly self-critical, but as I give myself a little shake, I notice the dust of a million tiny arguments belittling my writing drifting away from me.

ode to a bobble hat

There’s a bobble
kind of wobble
to the walker
on the cobbles.

If you oggle
at a bobble,
it will never
be a gobble.

Not a woggle
nor a goggle,
not mistaken
for a toggle.

There’s a wobble
to a bobble
that can only
be a bobble.

Not a giggle,
nor a wiggle,
and not a hint
of wibble.

There’s a wobble
to a bobble
that can only
be a bobble.

If you snog-gle,
if you snuggle,
you will never
feel a tuggle.

There’s a wobble
to a bobble
that can only
be a bobble.