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a rip in the fabric of reality

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I made it to the second summit.

The second summit was, you may recall, the daring act, a conversation with a friend.

It turned out to be very difficult to carry out, and strange.

First the day was very disrupted. I could not find the right thing to wear, the weather being milder than it looked, and the day holding multiple, contradictory-suitable-outfit events. I managed to leave the house to find that the logistics of the day were totally different to that which I had imagined. I could not conceive of how I would be able to do everything that I was responsible for doing and still carry out the daring act. But I must carry it out, of that I was certain. Also, it was classic that circumstances were seemingly to conspire yet again to obstruct the accomplishment of anything remotely important to me.

Breathe in, breathe out; it’s wild near the summit. This is what I told myself.

And this was indeed the precisely correct approach because the circumstances tamed themselves down into a harmony almost poetic in its perfection.

But still, the daring act remained to be done.

The friend arrived, and to my shock, brought along another set of conspiring circumstances. I was totally shocked, having made clear, I was certain, of the need for some space. The slot I was now allocated was almost offensive in its brevity.

As I took in the new reality, I pondered, do I even go ahead now? Could what I had to do even be carried out in such unprepossessing conditions?

Suddenly total conviction took hold of me. It was the day of the summit; who knew when I would get another attempt.

I completed my daring act of sharing in twenty five minutes. My friend looked utterly startled.

And rushed off to the next item on the days agenda.

But the daring act had been accomplished, and perhaps all the more emphatically for the intensity of the conditions.

Now: descent. Something that also needs care.

I also have keys to a new borrowed piano.

summit day

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I am so close to the summit now that I see it all the time, it’s not a glimpse anymore.

I’m working with each step towards something immense. It is my destiny.

Last night I messaged my friends for support. Today I feel it and the extra measure of power, love and reassurance I need for being brave.

I let go of some last things that needed to be left behind. Towards a summit you must not carry anything unnecessary, as you are weaker and energy reserves are depleted. No personal idols can be taken to the summit, nor any false responsibilities nor undue lament.

There are a few final practical things to be done. I will do them steadily, trying to make sure to prioritise them correctly, although my mind is affected by the thin air and intensity.

Thank you for what your own silent watching has meant to this moment.

a glimpse of the summit – quiet

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I am getting nearer.

I have been through the exhilation of glimpsing arrival, ferocious discipline, the last reserves of patience, and now a quiet has fallen into me.

There is still quite a long list, but I can only work my way through it steadily. Some things might not get done. None may assume the right to cause panic.

Yesterday my disintegration met a friends disappointments. It was painful. I needing a bolstering of hope and instead I felt dropped. Forgive, forgive. This work is tiring to one’s friends; all summits bring up unresolved desolations. Continuing on with love is how we touch them with grace, how we heal each other.

If I work gently and steadily, I will arrive.

Divenire

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So I was in the studio and then I wasn’t and then I was trying to find the studio inside and to get to it I found a studio rhythm and this is indeed helping me to dwell in the reality of the studio inside and even though I have not got to painting yet I am in something, definitely.

And all the time, every possible day, I have been playing Einaudi’s Divenire on the piano that I have been given the keys to in the neighbours’ downstairs apartment.

In the studio week I finally linked, for the first time, the bits I knew with the mysterious bit in the middle, and suddenly I had a whole.

But it was a kind of scratchy, awkward, patched-together whole, because my fingers had not been accustomed to playing music for such a long time, nor my brain for concentrating so continuously on something so precise. The piece is nearly ten minutes long and it is a work to hold my attention in the exact present without having it distract somewhere else – and in fact usually this distraction does not totally affect the flow, but what does affect it is the jolt of realising that you are elsewhere and then trying to relocate yourself in the music, which usually causes a stumble.

So each day of the month since I left the studio I have been playing – of course as part of the studio rhythm – and then often recording myself to hear how the piece is feeling. It has taken time to ease out places of complexity and to smooth the trickier jumps of hand and the release the tension of areas which require more skill and concentration, which is all very well, but until the skill and concentration is mastered, there is anxiety that makes itself felt by the listener.

Over the month, I have become aware that somehow the piece was also taking me somewhere; in losing myself into it, I am finding a self, I am becoming – divenire – a self that I have not been for a long time, perhaps ever.

There are different elements in a journey of allowing music to form you; some are intellectual, some physical, some emotional, some deeper. There is an integration that has to happen which must be then somehow anointed with a grace from somewhere else. It is work and mystery.

Yesterday I had a very important insight: I had been working towards a recording that sounded accurate; each note in place, sounding beautiful. Yesterday it was sounding often beautiful, but still, there were occasional, sometimes jarring errors. But suddenly it came to me, listening, that I’d forgotten the fundamental fact of live performance; that there is a humanity in it that cannot and should not be eradicated, the eradication of which, in fact, would substitute a kind of overworked tension, and anyway would only likely be possible through mechanistic means.

But this insight had a follower, as if hidden behind its back. If it already was (almost) beautiful, and there would always be some humanity left in the beauty, then the moment I had been waiting for might be arriving sooner than I’d expected.

And then yes, this morning, I was there, in a beautiful completion of piece and self. Divenire.

And now I am waiting for what happens next.

la vie suspendue – interrompue

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Toujours là, kind of.

Yesterday in a pinnacle of irony I found myself panic-stricken that the very cough I’d previous resisted, denied, been in a bad mood with etc etc before I finally accepted that I was ill might be actually be nearly better.

Suddenly it was clear that I wasn’t ready. Whatever was being accomplished by the enforced quiet of being ill-ish (very different from actually ill) had not actually been accomplished yet. In a kind surely-this-only-happens-to-strange-me moment I found myself relieved when the cough reappeared. Relief. I was still protected by the circumstances from emerging back into whatever demands I associate with being well.

But there is a turbulence, nonetheless in this unfinished mid-air living. Last night a friend visited with a variety of provocative thoughts and imaginings about my situation, which despite being sweet and light, shook the depths of myself in places where, so it turned out, I had already settled into what might become a staleness. This morning the inhabitants of the piano apartment announced an imminent visit moments before I expected to play. And there is torrential rain so my beloved garden is out of bounds.

I lean in, listening to my own music, my own heart… what do I do with this, with this ruffling of the still depths, obstacles?

And I hear the answer, ‘deeper’, the kerfuffles of the small disturbances can be allowed to herd me into deeper places, deeper depths, the music of my own being. I elude the obstacles with a deeper intention.

The turbulence of suspendue en l’air, echoes the turbulence of the water. I let myself be carried; I swim deeper. These paradoxical realities do their work with me, within me, wildly. I am sky, I am sea.