creativity

the studio inside – rhythm

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All the while of la vie suspendue en l’air and la vie revenue à terre, I have been maintaining, more or less, my studio rhythm – piano, writing, documentation. So then something is going on in the studio inside, but to me, there is a kind of absence. An absence of expression. There is something about painting in particular that releases me into some kind of inner depth, while, mysteriously, materialising this depth into a visible form.

Is something preventing me from getting there?

Sometimes I just need to insist.

But as I write a recognise, yes, I’ve been doing immense works. Inner ones, in most cases, but also material ones of another sort – organising, unpacking, tending.

Perhaps now is time to try another intensity of insistence. Maybe I have a week before I leave for traveling to insist this into reality, to come home to water and colour, and to see what I find there…

revenue à terre

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As suspected I’ve come back down to earth, an event somewhat hilariously marked by the very material and grounding purchase of a new sofa. Although, excitingly, one with more space for a new season.

The change of seasons is always a kind of strange moment. An old prophesy calls the listener to ‘enlarge the place of your tent’, exhorting ‘lengthen your cords, strengthen your stakes’. The image that always come to mind in this moment of a season shift is of the tent pegs disinterred, and the flaps of the tent flailing wildly in the air. Flailing, the perfect word for this kind of moment.

So now I’m not sure what the rhythm is. I’m aware that I have made progress in tending the studio inside, but I have not really inhabited it yet. I know this because I have not been painting, nor recently written a poem. Things are a bit flimsy.

There is no way to force this into a discovery, a moment, it’s a kind of waiting and that’s all there is to it. But in the meantime I take time to replenish all my stocks, feed my plants, shop for basics. I know that when the adventure arrives, I will be glad to be replenished.

la vie suspendue en l’air – pretending unconsciousness

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Toujours là.

Yesterday’s recognition of an importance to là vie suspendue en l’air was at once an encouragement and a danger.

When the work of deep substance is going on, too many overly conscious or rational thoughts can disturb the process.

As someone who is often a galloping herd of conscious and rational thoughts, in particular, stories, the moment the recognition that a work of deep substance is afoot is the moment all sorts of theories and ‘good ideas’ can line up presenting themselves as the way to ‘manage’ the process.

One of my wildest works, now that I have actually surrendered to the silence, is to stay out of the way of myself while whatever takes place takes place. To give it space and not to intrude, bustling, with ‘are you ready yet?’ and ‘would you like a cup of tea?’.

The only way I have found to do this is to pretend as if an unconsciousness that anything might be going on at all, to pay an almost excessive reverent attention to everyday rhythms and chores, albeit it quietly, and, then, to avoid those who might see my quiet as a chance to visit their stories and theories onto my existence. I skirt the contours of myself, respectfully, and hope that by carefully holding my attention elsewhere, I can allow the mystery of the luminous uncanny the time it needs to accomplish its fullness.

la vie suspendue en l’air

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Je suis toujours là.

(Why do I want to express this time in French? It’s so particular; a form of linguistic escape, I feel, from the everyday. And sometimes you cannot live in the same linguistic air as certain politicians; a factor perhaps in my emigrating).

Je suis toujours là in this liminal space of mid-air suspension, a mid-air that is also a depth. And stripped by illness and everyone else’s holiday plans and still being a relatively recent inhabitant and not entirely speaking the language and the violent convulsions of the pandemic of everything pressing and usual and demanding. There is a certain quality of silence. And, it turns out that this silence is allowing some deep places of myself to make themselves known.

The day is almost excessively mundane – well, perhaps ordinary is a kinder word, as playing the piano and writing are hardly mundane for me. I’m hemmed in by my depleted energy levels. So there are only quiet activities going on. Yesterday: writing, lunch, listening to a friend, pondering aloud, reading, dinner, quiet conversation with a friend (quiet as I’ve almost lost my voice, alongside the other diminishments.)

But in that quiet space something is stirring. I am encountering my own deep substance, a being of myself that I have had so little chance to be in these last frenetic months. I have reached, it appears, a truth, a tenderness of self, a deep substance of my own being, a home of sorts, perhaps. It is a work of some experimentation to capture the texture of this encounter, the purity of it and its luminosity-with-substance quality. It is perhaps – suddenly it comes to me – the substance of the ‘eternity in the hearts of men’ that we cannot fathom, written about in Ecclesiastes.

So then my silence is making a space for this luminous goodness – the luminous uncanny I now remember I once called it – to intensify. I also know that in my personal history, these moments of imposed stillness are often of great import, places of gathering ahead of some unknown moment of vast renewal.

Je suis toujours là suspendue en l’air.

And in only a few short days I have moved from wrestling to treasuring, feeling this moment as something precious to protect and defend from whatever might disturb it before it is ready.

So then here I am, writing, playing music, attending to the ordinary, trying to be humble to my humanity while eternity does its work within me.

toujours suspendu en l’air

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I’m still here, in mid-air, which is uncannily like a depth, it turns out. In the wrestling match between maintaining a normal pace and slowing down, slowing down has won. And yet now I’m here, I feel strangely at home. I don’t feel the fret of missing out, I’m no longer disappointed, I’m kind of content, and curious, because at other points in my life when I have found myself in this imposed suspension, often something very deep has been at work, beyond my thoughts, words, understanding or control.

So it’s a little bit like I’ve set up tent here, in mid-air, and now find myself delighted. It’s so peculiar; how can I resist it so much and then turn out to be glad? Sometimes I feel like I don’t know myself at all; I can sometimes so little predict my true feelings about things that are in prospect.

I am still playing the piano (although today I didn’t because the neighbour was using the apartment) and writing, but I have seemingly slipped into a complete harmony with quietness and ordinary chores. Small unexciting things are getting done and I’m not feeling lonesome or deprived.

And the deeper stillness means that I’m more aware of the rumblings of movements in unknown places, and this awareness increases my patience because instead of fearing nothing, I can feel something. And what is a creative process for if not to prepare a space to welcome and embrace that?