I take my place
in Degas,
one knee bent, to
slide my foot into pink leather.
I wish I had ribbons and a tutu.
I walk over to the barre,
stand in a line with
Pauline, Petrova and Posy,
but the self I face in the mirror,
is a grown-up woman.
My head turns into
Coppelia, a line traced
through generations.
My toes point with
Bull and Bussell,
Pavlova, and Guillem,
almost.
I plié and rise,
and I am in a
pirouette of dancing
bliss. The landing is askew;
I am alight.
‘And one and two
and three and four’
echoes all around
me and all around the
world. A hundred little girls
and companies of swans and mice
and courtiers and peasants.
Did someone just call me a
ballerina? Oh!