poetic history

Every now and then you catch one of those moments, flitting about tiny as a dust mote, but golden and shivering off a tiny glimmer that you can ignore or chase.

I caught it.

There is a poet friend of mine and knowing him has helped me to realise that I might be a poet too.  Maybe one day.  He writes poetry and about poetry, introducing me both intentionally and not to poem-mirrors that make me wonder.  Perhaps I can do/am doing this?  These moments are a kind of equation, a logic that appeals to my maths-geek brain.  If fragment of poem (x)  = fragment of poem (y) and x is the work of a ‘real poet’, is perhaps y the work of a ‘real poet’.

Reading my friend’s new book (about poems, of course), I come across this thought.  When was my first poetry experience?  In fact, what is my poetic history?  These questions have literally never occurred to me before.

(What is more, these questions answer the matter I pondered in happy birthday extraplorer:  whether to write about creative living.  The answer, I think, is not to write about how to do it, but to discover more about my own creativity.)

So another avenue of extraploration opens up…

To answer the first question (and to hop over nursery rhymes, songs, my parents’ banter), my earliest poetic memory is not of reading a poem, but writing one. This makes me think that I must have read one, otherwise how would I have known what a poem was? But it seems that the poem at the heart of my own poetry has vanished.  What is left is a memory of creating tiny poetry books, maybe an inch and a half square, hand-illustrated and stapled, with rhymes like this:

My mummy is very kind
when you’re hurt she’ll bathe and bind
she wraps me up in bed
and kisses me on my head.
I love my mummy.

As far as I recall I was about six or seven years old. (I also wrote songs.)

While I must have read poetry at primary school (and maybe it will come back to me; I have a vague dusty feeling thinking about it, as if the poems I encountered must have said nothing to me), my first memory of a poem is from an English class age ten or eleven.  There is a line in it I still recall, although extensive googling does not retrieve the poem. It is my first memory of being stirred by poetic magic:

‘interminable flocks
hives of the archipelago’

The captivating five syllables of ‘interminable’ have never left me and I see flocks flying still as I breathe these lines, as far as the eye can see.

happy birthday extraplorer

Well!  Having been away for a week or so with work, I peeked in on extraplorer today and guess what? A trophy was there to say ‘happy one year anniversary’ to extraplorer blog.  And of course it put me in reflective mode…

One year of extraplorer has brought so much richness to my life.  The little ‘likes’ to my poems have given me so much more confidence about my writing.  The encouragement of poet-eye-view that the possibility of posting creates has caused me to be more intentional about how I see beauty in the world – this has genuinely shaped me to ‘discover more beauty through writing’.

One sadness is not posting as often as I would like.  Today I was thinking about it and wondering if it is even OK to have a blog if your posts are not super-frequent.  The image that came to mind was one of the sea… there are swells and sets and gaps between sets and choppy little waves, and flat calms, but no one says that we should not bother having a sea because it is not consistent.  I think this image is going to help me be more peaceful about posting when I can, and not worrying when I can’t.  This is especially important for me this year of finishing an academic book project, developing my other daily work, often involving traveling overseas, and continuing to pioneer some unique projects (as well as hoping to find love…).

One thing that I sometimes wonder about is whether extraplorer should grow to be about creative living, as well as just my own creative work.  I am not sure?  I am a bit concerned that things which are about ‘how to’ can become restrictive… I like mystery, and don’t want to flatten out the mystery of living too much.  Still not sure…

My hopes for this coming year are to continue to discover even more beauty through writing, to have a poem published, to write more poetry based in the workplace, and to generally explore some of the themes I have already been looking at like ‘things I want to tell my children but might forget’.  I want to create more found poetry in different ways and to just daydream and see what happens.

I want to keep on extraploring…

nearly three months review

Suddenly more months have gone past and I haven’t had a moment to look back.  Christmas, New Year, woosh.

But it’s a sunny Sunday morning and I am nearing the three month anniversary of starting extraplorer.  I have a few minutes peace between business trips and the perfect moment to reflect and be happy about writing.

Of course when I started extraplorer, I had bits of writing lying around that I could add to extraplorer when I liked.  That gave me a thrill of momentum, but it was not sustainable forever.  I wish I had more time to write, but I am also happy to have a busy life of adventures in the outside world.  I wouldn’t swap the balance, I don’t think, even though it sometimes makes me feel restless.

Only one person in my ‘real life’ knows about extraplorer – my mother.  I am very very lucky that I have a mother who is trustworthy with these small attempts at writing.  Writing and having her comments is one thing that has given me more confidence that what I am doing is ‘real writing’.

And having real readers is the other thing.  I find it amazing to think of readers reading my writing (thank you so much fellow extraplorers!).

Sometimes I feel sad that I have not invited all my friends to join and see extraplorer yet.  In a way it feels awful, like having a baby and then asking a lot of strangers to come to visit it in the hospital while you tell your friends they are not welcome.  I am very lucky that some of my friends know about my blog, and are happy for me to trying things out in secret.  In a way, my friends’ generosity of spirit is the third thing that is making my writing be able to grow.

Thanks to these three sources of encouragement, I am becoming braver and getting closer to the day when I can share my work more confidently with more people.

things I want to tell my children but might forget – at the station

At the station

While walking in the street is fun, sometimes we will want to go on a longer journey.  We might go to visit London, or cousins, or go to see something interesting in a place nearby.

A train journey is one of my favourite things.  To take a train, you have to go to a station.  A station is an almost magical place.  In a station, trains come and go, all bound for different destinations.  Some are going to small places nearby, some are going to big places far away.  But the fact that so many trains are coming and going makes a station full of opportunity and potential and mystery.  You could take a train to a place you have planned to go, or you could just turn up to the station one day and take a train anywhere you like.  Trains are arriving and departing all the time, so an adventure is always just around the corner.

Not only this, but at stations lots of important things are happening.  People are saying goodbye to people they love, or welcoming back people who have been away for a long time, or they are waiting for visitors to come, or they are going to important work meetings or holidays or interviews.  Sometimes people are not there for a specific reason, but just to travel about and see the world.  This is called exploring and it is one of the best reasons of all.

In a station, you can also find things like things to read, things to eat and things to use if you happened to have forgotten something important.  There are people there whose jobs are to help people to find the right train, and the right ticket.

In fact, when you get to a station, the first thing you need to do is to check you have your tickets.  Sometimes you book these in advance, sometimes you go to the ticket counter.  If you decide to queue for a ticket, make sure you go in the queue saying ‘tickets for today’; otherwise you might have to queue twice.  You need to make a decision whether you want to return on a particular train, or whether you want to be at liberty to return any time you like.  These decisions will determine the price of your ticket.

Once you have your ticket, you might need to buy some things.  I sometimes buy something to read, and often tissues and maybe water.  Some people buy things to eat on the train, but when we are traveling together, I will always make us a picnic.  Having a picnic on the train is one of the most fun things to do in the world.

To get to the train you need to put your ticket into the machine at the ticket barrier, and find the right platform.  If you pick the wrong platform, the chances are you will take the wrong train accidentally.  This has actually happened to me and I can report that it is quite time-consuming to take the wrong train.  It is also important to concentrate on the time so that you don’t miss your train.  This is easier by yourself than with others.  Once you are on the right train to the right place at the right time, it is the moment to concentrate on finding a place to sit.  At a table is best for picnics, but this is not always possible.  Right now I also like to pick a quiet carriage but when we travel together, we will probably picnic an ordinary carriage, where you can laugh and joke and don’t have to be extra quiet.

Once the train departs, the next adventure begins.

found poem, London, winter 2014

I like my town

Art is a dirty job but someone’s got to do it.

Back to basics.
Douceur d’enfance.

Today is a good day.
Live what you love.

She acts like summer
and walks like rain.

Art for all.
Discovery.

Let’s fill this town with artists.
Art is nothing without the gift

‘I love William Morris
as I love most artists who manage
to make their lives and work
completely part of each other.’

When William Morris lay dying in 1896,
one of his doctors diagnosed his fatal illness
as ‘simply being William Morris,
and having done more work than most ten men’.

Love is enough.

Own a masterpiece.

Welcome.

No peeking.

Skate.

He is like a tree planted beside the streams of water,
which yields its fruit in season,
whose leaves do not fade,
in all that he does he prospers.

‘Dying is as natural
as being born’.

The secret is out.

You are here.

Step into the adventure.

Thou God seest me.

A little patience won’t hurt you.

Notes on locations:  sign in Loft store, shirt in Loft, product in Loft, candle in Loft, art in Loft, art in Loft, Duke St Emporium, DSE, Landrover showroom, name of shop, sign in same shop, Anarchy and Beauty, National Portrait Gallery, cushion in NPG shop, sign in NPG, Jigsaw store window, Somerset House sign, engraving of Proverbs 1 in Somerset House monument, quotation attributed to Cecily Saunders, Kings College London, wording on a van, street map, advert on bus, wording above St Clements Danes church, sign on Tube.