constellation

While I have been fretting about the presence or absence of the innocent and ancient self, other things have been going on, which I somehow did not connect.

It’s been a time of furious difficulty. And in this difficulty I’ve been unusually lost.

I have chosen a life of particular exposure to the wilds of existence, and yet normally I know where I am. I have an inner stability borne of experience and love.

The last months have been like a battering. Certainly not comparable to other terrible events elsewhere, but for a self that wants to make creative work, crushing.

After every wham of difficulty I have tried to regroup, only to (sometimes) glimpse a moment of arrival before, wham, some other violence to my body, self, relationships, possessions, work…

After months of bravery, suddenly it was too much. I was distressed, tearful, lost. Plus the endless noise disturbance of the sound injury fills every moment of potential rest.

No wonder the delicate self was not keen on showing up.

Today I reflected on various ‘solutions’ that had been proffered in the last week: Get new friends, take a flight, look online, try America.

All of them, I could feel, were like trying to tack a threadbare patch over a crater and hope for the best.

A deeper part of me thanked the offerers and explained, yes, this seems like a sensible option, but it is not enough. I cannot thrash around trying to fix things.

This morning I realised what was really going on. I was being intimidated out of staying in position, by who knows what force, but the one we often concede to.

The recognition summoned a deeper ally: No.

No I will not back down.

No I will not make compromises.

No I will not fritter away truth.

No I will not choose my path based on fear, mockery and pressure.

Nothing much has changed in the circumstances.

But in the inner situation, the clarity is like a protecting force.

Maybe she will come out now that she knows she will not be betrayed.

still

I am still here, it seems.

Maybe you have noticed the dates petering out, as if I was on my last legs, a disappearing, but no.

Somehow the me that is me, is an insistence, more, perhaps than is convenient to myself.

She arrives and takes charge and all the other mes acquiesce.

It is a long time since I started writing here. I am older. She is a mood, and often that mood is weighed down under Responsibilities.

I wriggled out of the skin of my old existence. I left everything and moved, for this self.

I had artistic space. And then I didn’t. Then I did, then not.

Everything takes longer.

I am in a struggle for the existence of a self almost no-one cares about except me.

Except I think you know the feeling.

I have a week in a studio. A week. It seems short.

I have decided to fill it with eternity; love and fire.

Watch me.

nest

I am building a nest for you,
my love,
out of my hopes,
out of my dreams.

I am building it from sweetness,
that I allow to grow within me,
these sweet summer days,
on the threshold.

I am building a nest that will not fail us,
when you arrive,
and our hopes entwine.

I am building it from fire,
and longing,
a desire that will not snuff out
in cold winds.

I am building you a nest,
my love,
and when you discover it,
you will be amazed,
and you will hold me,
and we will be healed.

And new,
and at peace,
and whole,
and ready.

someone I don’t know well

Betty

Scoured by grey metal catering pots
and pans.  Grown by the
runner beans incessantly.

Worn in by ninety-two
pairs of size four slippers
(latterly, velvet).

Lit by infinite log fires
sussex beech and oak
no longer chopped by him.

Read by books, new, secondhand,
or borrowed, suspended by
an embossed
red leather bookmark.

Captured by photos of an
African safari, Andrew’s family
from Australia and ‘our dear friend’
Nils from Norway.

Fed by a marathon of meals,
fish finger breakfast butties,
roast lamb (fat included),
homemade fruitcake on
forget-me-not plates.

Pinned neatly into position
by a slowly diminishing
grey-white bun.

Loved.

Note: This poem is from the ‘poetry retreat series’.  We read ‘On hesitating to depict my grandmother’ by Gillian Allnutt (amongst others) and were asked to write a poem about someone we didn’t know well enough in six minutes.

I cannot face the hopeful girl

I cannot face the hopeful girl,
not tonight.
I’m OK sitting
in the firelight
that burns.

She knocks,
hopefully, and with some
restraint
on a door wedged in now
by damp, and rain.

I could get up
and welcome her
but I sit still longer,
safe with my
weary despair
well worn as
old slippers.

I can hear the rain
beating down
on her, feel her
presence flattened
for protection
against the wall,
or window, even
(the blinds are down)

Dare she knock again?
I wonder, not knowing
what I wish for,
on red-alert,
but poised to
dive for cover.

Inertia reigns.
What if she tries
another door,
gains welcome there,
instead? An
inner shriek
runs through me
at the thought
but still I sit.

‘Get up!’ rings
all around me,
a ghost chorus,
infiltrates the wild wind,
real, but powerless
to move my arms
and legs.

‘Wait!’ I call out,
barely,
and hope she will.