edge, rim, shore

I’m teetering
again
on the rim
or edge
threshold,
shore.
I’m not quite

a lure
a calling,
I’m being,
no, not forced
invited
drawn

All at once
the future
arrives to me
here
in this moment
now
shall I?

Will I?

Joy jostles
wildly
with my
wildest fears,
wild dreams
wilder than I know
can possibly know
bewildered
oh afraid oh
enticed oh
enraptured
oh, shall I?
do this
step off into
an unknown future
with you?

will you catch me?
will you?

I’m coming

Note: This poem continues the series of piano painting poems inspired by the music of Ludvico Einaudi’s Divenire, played by myself on the grand piano of my downstairs neighbours. Unlike the other poems in the series it was created before the painting, and was a path into the courage to face a new blank page and enter into the vulnerability of creating in the unknown.

season shift, glimpsing the unseen

I return to the theme of the season shift, which I am almost through, I think. Today was a treat day to a spa with friends – a rare event – but of course it meant soaking and cleansing in hot pools and bubble pools and terribly cold water pools, and scrubbing through (apparently) Japanese cleansing rituals and soaking weary feet.

I am more or less always on an inner alert for poetics and watery moments always evoke for me the feeling of baptism; death and birth. It is surprising how often in my life moments of transition coincide with moments of immersion.

The other women discussed lying on the sofa, which I could see was an eminently suitable choice for the weary restedness of a post-spa afternoon. But I felt alert, restless. I did not want to lie down indoors. Some kind of inner part of me is alive and suddenly feels renewed after a long trudge of weary tasks.

My being is vibrating and I am so relieved, as a kind of deadness kept threatening to take hold. I tried to reassure myself that this deadness was a mere effect of exhaustion, but I was afraid.

Returning home I didn’t know what to do. There are mountains of undone chores still, neglected as a result of too many work deadlines, too much travel. Food has run out, supplies have dwindled, friends languish unanswered.

Something deeper than a desire for progress overtook me, a calling, and, as it happens, into the still-furnished garden. One more day.

But where I sat yesterday looking back, today I sit in the present. I sit in the cleansed state of my spa self and feel the old things washed away, and me all new, fragile and yet available and alert. Available to new joys and pleasures, available to new adventures, available to deep wrestling and struggle, available to the future self of my being that is always drawing me forwards, through thick and thin, to her accomplishment.

The glimpse of the unseen is not a vision in the true sense; it is a sensation, a potency. It is where hope lies for the austerity of winter and the confusions of longings yet unfulfilled. It is a resonance of self that I inhabit when playing the piano, or listening to myself play; somehow this mood of self, this certain space, holds wonders for me; I can feel them, although I have no idea how to reach them, or how they will take form.

And if I loved forty

And if I loved forty,
it would be for the sweet joy
of confidence in a room.

And if I loved forty,
it would be that I
knew my place
– inside out.

And if I loved forty,
it would find me able
to sit awhile with someone sad
and mourn.

And if I loved forty,
it would be to see dear friends children
grow old enough to make me
a cup of tea.

And if I loved forty,
I would embrace quiet,
evenings by myself
a blessing of solitude.

And if I loved forty,
it would be for long views still
of growing, and of grandeur.

And if I loved forty,
it would be for patience,
and for knowing
that all things are made new.

And if I loved forty,
my friends too would be
grown and worn into
comfortable grooves of
loving kindness.

And if I loved forty,
I would be wise.

Expecting

I am pregnant
with my own younger self.
She is waiting to be born in me,
an adult, almost forty.

I see her playing in the past,
skipping, smelling flowers.
When will she turn around
and step into her future?

I move closer,
hold my breath,
and I can hear her singing
softly to herself.

She sings the music
of the trees, the words
of butterflies,
and hums along with bees.

Held by the moment,
attention ripples
from her skin, her eyes.
She is utterly alive.

I call her name.
She looks around perplexed,
cannot see me,
scans the sky.

I call again,
regret the urgent tone.
How did that
fear get there?

And so I spread a blanket,
set out cups of tea and cake.
I read my book and let my presence
gently draw her close.

Yes, I sit and wait.

[untitled poem]

My heart beats

question marks.

Though settled

inside, I still find uncertainty

echoing

loudly

through me and

throughout time

and into space.

Everything that’s

unresolved

drums out its

mysterious

rhythms.

My arms and legs

and mind

go about their

business accompanied

by infinitely

open futures.

And mine

unknown,

unknown,

unknown.