I return to the theme of the season shift, which I am almost through, I think. Today was a treat day to a spa with friends – a rare event – but of course it meant soaking and cleansing in hot pools and bubble pools and terribly cold water pools, and scrubbing through (apparently) Japanese cleansing rituals and soaking weary feet.
I am more or less always on an inner alert for poetics and watery moments always evoke for me the feeling of baptism; death and birth. It is surprising how often in my life moments of transition coincide with moments of immersion.
The other women discussed lying on the sofa, which I could see was an eminently suitable choice for the weary restedness of a post-spa afternoon. But I felt alert, restless. I did not want to lie down indoors. Some kind of inner part of me is alive and suddenly feels renewed after a long trudge of weary tasks.
My being is vibrating and I am so relieved, as a kind of deadness kept threatening to take hold. I tried to reassure myself that this deadness was a mere effect of exhaustion, but I was afraid.
Returning home I didn’t know what to do. There are mountains of undone chores still, neglected as a result of too many work deadlines, too much travel. Food has run out, supplies have dwindled, friends languish unanswered.
Something deeper than a desire for progress overtook me, a calling, and, as it happens, into the still-furnished garden. One more day.
But where I sat yesterday looking back, today I sit in the present. I sit in the cleansed state of my spa self and feel the old things washed away, and me all new, fragile and yet available and alert. Available to new joys and pleasures, available to new adventures, available to deep wrestling and struggle, available to the future self of my being that is always drawing me forwards, through thick and thin, to her accomplishment.
The glimpse of the unseen is not a vision in the true sense; it is a sensation, a potency. It is where hope lies for the austerity of winter and the confusions of longings yet unfulfilled. It is a resonance of self that I inhabit when playing the piano, or listening to myself play; somehow this mood of self, this certain space, holds wonders for me; I can feel them, although I have no idea how to reach them, or how they will take form.