hushed

I was in two minds about whether to write this writing first, or the other one, which I will soon also write and post, but this came first and it felt like it deserved its place.

A hush really descended with the painting and poem that arrived called hush.

‘A hush descended’ – an evocative phrase to which I have never given a moment of serious attention, and all of a sudden the precision of the image is startling, as are the implicit poetics. ‘Descended from where’, I have literally never asked, despite encountering this reality many times.

From wherever it was previously, it descended. Perhaps it also was where it was previously, like a mist.

And it descended on to me, into me, a saturating silence, and had an effect, as to order all the atoms of my being in a peaceful direction, like the magnetic field on iron filings.

Mysteriously this is accompanied by a kind of paralysis of thought, but not an alarming one. Instead of making an effort to dig deep, uncover, investigate, tease out, they drift. A freedom, a mystifying intertwinement of the heights and the depth, and me.

And here I am in that hush and a kind of new beauty feels like it is unfolding.

hush

Hush, a calm descends
Twilight blossoms its stillness
into night

I heard you breathing
Or did I dream
I heard you, sure
I heard you

pooled serenities
stars, songs, sea, storm
still a stillness
sovereignty

shh suspension
whisper not
a movement
lulls me, lulls

Peace amidst a glimmer
is it night?
it shines
certainty

Hush into this
vast birthfulness
cradled child
we are a oneness

Note: this is the last (I think) poem written from the Divenire series, painted to the backdrop of a performance (to myself!) of Einaudi’s work. The work for this poem is created in the same colours as before, but resulting in a work of profound peace, although there is a sense that in the depths, something new is already stirring.