reticence

I went to the watercolour museum and, at the last minute, forgot my phone.

Hmm. Do I go back, arrive late?

Hmm. Will anyone miss me? Is it callous to disappear if someone might be worried?

On the tram I ask a stranger to borrow their device and smugly reproduce from memory the mobile number of my mother. Please can you text x and y so that they don’t worry.

(Later I heard that she’d glanced at the strange number and dismissed the message as a scam. <Delete>)

I was unexpectedly free.

We all know this. We’ve read the articles in newspapers, the lack of phone now noteworthy enough to represent paid-for content.

But it’s real, the freedom.

I caught a bus and was delivered both to the seaside, and to an earlier self, the one, perhaps, that traveled around Europe on a career break just in time to have witnessed those places before smart-phones, selfies and repeat-posing. In time to experience community with strangers in a way that would never exist again.

Well, that still did not exist.

Or to a deeper self, a more mysterious self, the self of summers and depth-of-winters and sweetness and the self that knows innocent things and yet has the wisdom of ancient and commonplace experience.

It was as if all my responsibilities had been left behind, both the real ones but also the symbolic ones in that device, and then the reticent self emerged and coalesced for a little while, and I didn’t dare think too much about it in case I lost her too suddenly.

We saw the exhibition. We ate lunch in the sun. We swam. We took photos of textures and time.

Then the end was coming and of course as I approached home, dozy with the sun and hum of a phone-less journey, she slipped away.

And I am left to ponder if there is any real-life-compatible way to appeal to her.

shift, nearer

Yes, I went a little bit silent. Despite the sweet encouragements of the wordpress world (‘you’re on a [insert number here] day streak!’ I got absorbed into another direction.

I have been making a rhythm path into my creativity, but also, I notice now, my living.

As my creative practice is continually also an investigation into the nature of existence, the living and the art are closely intertwined. Deep shifts have been going on in my own deep life, old stories have been moving to take up new positions, new stories may or may not be being born, but they will only be able to be born if space is made for them.

Such a work is one of great tenderness and almost perpetual bewilderment, perseverance yes, and perhaps this is why this has been such a focus.

But now the shift has completed, or is completing, and then a new space is opening up. As usual the space comes with a sense of dizzying exposure alongside the delight. What will fill this space, what discoveries will get made, who will arrive to commune with it, how to protect it? It is a space for tiny flutterings and glimmerings yet as with all tender spaces most likely the giants of the land will be waiting to sneak in forbiddingly.

So I go gently and write and try to inhabit peace and trust. And to soak up and reveal in the creativity of a moment of blossoming freedom that comes rarely in life and is a gift of great power and beauty.

descent

I find myself
long ago,
remains of memory
scraps

What were you to me?
I ask him,
whom I never saw again.

And you, who meant so much to me
at the time
what were you? a vanishing?

I pick my way between the
haunting presences,
strangely comfortable and familiar
they don’t answer
neither did they

passive
controlling
hiding in their baggage
I poke at them a final time
what have you to say for yourself?
you?

silence, their ancient
language, patrolling my
invisibility, eliminating me
slowly
colluding,
familiarity chokes me

Who did this to you?
they don’t reply
I forgive them.