edge, rim, shore

I’m teetering
again
on the rim
or edge
threshold,
shore.
I’m not quite

a lure
a calling,
I’m being,
no, not forced
invited
drawn

All at once
the future
arrives to me
here
in this moment
now
shall I?

Will I?

Joy jostles
wildly
with my
wildest fears,
wild dreams
wilder than I know
can possibly know
bewildered
oh afraid oh
enticed oh
enraptured
oh, shall I?
do this
step off into
an unknown future
with you?

will you catch me?
will you?

I’m coming

Note: This poem continues the series of piano painting poems inspired by the music of Ludvico Einaudi’s Divenire, played by myself on the grand piano of my downstairs neighbours. Unlike the other poems in the series it was created before the painting, and was a path into the courage to face a new blank page and enter into the vulnerability of creating in the unknown.

revenue à terre

As suspected I’ve come back down to earth, an event somewhat hilariously marked by the very material and grounding purchase of a new sofa. Although, excitingly, one with more space for a new season.

The change of seasons is always a kind of strange moment. An old prophesy calls the listener to ‘enlarge the place of your tent’, exhorting ‘lengthen your cords, strengthen your stakes’. The image that always come to mind in this moment of a season shift is of the tent pegs disinterred, and the flaps of the tent flailing wildly in the air. Flailing, the perfect word for this kind of moment.

So now I’m not sure what the rhythm is. I’m aware that I have made progress in tending the studio inside, but I have not really inhabited it yet. I know this because I have not been painting, nor recently written a poem. Things are a bit flimsy.

There is no way to force this into a discovery, a moment, it’s a kind of waiting and that’s all there is to it. But in the meantime I take time to replenish all my stocks, feed my plants, shop for basics. I know that when the adventure arrives, I will be glad to be replenished.

perseverance – suspendue en l’air – testing

It’s the last morning, I think, of la vie suspendue en l’air. Several things that felt linked to this liminal space are shifting. I’m not really ill. The absent friend returns today. I have to take up some work next week. And some other things. This week I have almost entirely completed the gathering of the journals of my self, decades of self it is hard to believe. And they are all stacked there, in boxes, a kind of double of me, made out of paper, or a self portrait.

I’ve been having such a beautiful time, and then imperceptibly, I wasn’t. Was it my beautiful garden being disturbed by drunken chatter while I ate my lunch, or a sudden host of probably very sweet teenage boys, but in a posse that reminded me of the ancient vulnerability of womanhood. Was it things suddenly breaking and being hard to mend? Was it hearing the disappointment in a friend’s voice that I couldn’t be there for her? Or looking back over old photos for another friend’s hen party and being starkly confronted with certain losses? Or, finding that, after all my efforts, in fact two journals had been overlooked and they belonged to the least accessible boxes of heavy books, that what I thought I had triumphantly accomplished, I hadn’t?

All of them, of course, accumulating unseen, many trivial by their very nature, but poking at a vulnerable spot.

I woke in the same bed with the same view and the same life as all the other mornings, and instead of being filled with happiness, I was uncontestably sad.

So began, as usual, a little digging through the moments of the day, turning things over, pondering them, on the look out for a deeper significance to the turbulence, or if there wasn’t one, how to tame the circumstances back to towards a collaboration.

And I found something, whichever one it is, from my memories of similar times, similar patterns of being and becoming.

Often, on the brink of some completion, small or large obstacles appear. It is a fact of all the completions I have ever accomplished. And I used to fret about it, because a completion moment is by its nature vulnerable, and often accompanied by the intense weariness of a long perseverance.

But now I am wiser: What looks like fretful and often personal obstructions can conceal an important opportunity. The need for one final, conclusive effort to overcome the hindrances, to insist on the completion is what makes the work truly complete. It is what establishes the work and the substance, its power and its resilience.

So I look courage from the appearance of minor upsettling events, and summoned a deeper intention. The completion and I will prevail. The discouragements will not. The old thrill returned from somewhere buried. I am excited for what will happen next. Yes, and grown enough to announce that hope.