a very golden sunlight

a very golden sunlight
shafts suddenly across leaves
yellowed with glowing
oldness.
Illuminates memory,
gilding years of
subtle pain,
revealing glories
yet unknown,
to come, yes, to come,

the cold grass is dappled
for a moment,
warm here and there.

the red squirrel pauses
with its golden acorn,
tentative, suddenly
awareness rich,
hesitant to scurry
to store its treasure
for another day.

gone grey a moment,
mundanity takes
back its familiar
places, but not forever;
a golden knowing lingers.

absence of things (small children)

There are no small children in my house today.
I shall describe them: tiny newborn crying
baby tears and ‘needs changing’.
Eleven and a half month old
holding onto every edge, nappy hanging.
No dainty little girl, proud
with a ‘real haircut’, a red-cherry hair clip
and her mummy’s handbag.
There is not one serious little boy,
five years old perhaps, just started school,
new shoes a single scuff and
wants a knight sticker book and a playdate at Zach’s house.

I have, of course, held open a heart of hope
and my longing is so deep, so true, and there is so little time.

Note: This is from the ‘poetry retreat series’. We read David Hart’s ‘There are no chairs’ and were asked to write a poem about the absence of something in about four minutes.

someone I don’t know well

Betty

Scoured by grey metal catering pots
and pans.  Grown by the
runner beans incessantly.

Worn in by ninety-two
pairs of size four slippers
(latterly, velvet).

Lit by infinite log fires
sussex beech and oak
no longer chopped by him.

Read by books, new, secondhand,
or borrowed, suspended by
an embossed
red leather bookmark.

Captured by photos of an
African safari, Andrew’s family
from Australia and ‘our dear friend’
Nils from Norway.

Fed by a marathon of meals,
fish finger breakfast butties,
roast lamb (fat included),
homemade fruitcake on
forget-me-not plates.

Pinned neatly into position
by a slowly diminishing
grey-white bun.

Loved.

Note: This poem is from the ‘poetry retreat series’.  We read ‘On hesitating to depict my grandmother’ by Gillian Allnutt (amongst others) and were asked to write a poem about someone we didn’t know well enough in six minutes.

washed up

She set sail
for distant shores
from home.
She stayed indoors.

And all the world
unfurled in that
small hand and
took shape as
large as life could be.

Her poetry, afire
set out to sea.
Glass bottled
tears adrift on
waves of time.

And laughter too,
And beauty, loss
and tiny sparks
of tender feeling
rolled up and tied

with lines of pen
and ink
bobbed as currents
pushed it to and fro

and so to me, in
my small hand,
a visitor on distant
shores where she
would never tread.

Where Emily would
never go, her
poems went
instead.

 

 

 

poem by the light switch

(For Ruth)

Water is taught by
click – on
thirst; Land 
wipe off grubby finger mark
click – off
by the oceans passed;
Transport, by the throe;
click – still off,
click, change bulb,
click – on
Peace, by 
‘What do you mean,
“what am I doing in there?”‘
its battles told.
Love, by memorial
click – off,
(distant) ‘I’m here now’
mould; Birds,
by the 
click – on
(forgot something)
‘oh look it’s…’
click – off
snow.

Note: This poem is an homage to my friend’s music teaching room where she had taped lines by Emily Dickinson to her wall, above the light switch. On investigation, the lines are from poem CXXXIII in the ‘Time and Eternity’ section in Collected Works (1924).