poetic history

Every now and then you catch one of those moments, flitting about tiny as a dust mote, but golden and shivering off a tiny glimmer that you can ignore or chase.

I caught it.

There is a poet friend of mine and knowing him has helped me to realise that I might be a poet too.  Maybe one day.  He writes poetry and about poetry, introducing me both intentionally and not to poem-mirrors that make me wonder.  Perhaps I can do/am doing this?  These moments are a kind of equation, a logic that appeals to my maths-geek brain.  If fragment of poem (x)  = fragment of poem (y) and x is the work of a ‘real poet’, is perhaps y the work of a ‘real poet’.

Reading my friend’s new book (about poems, of course), I come across this thought.  When was my first poetry experience?  In fact, what is my poetic history?  These questions have literally never occurred to me before.

(What is more, these questions answer the matter I pondered in happy birthday extraplorer:  whether to write about creative living.  The answer, I think, is not to write about how to do it, but to discover more about my own creativity.)

So another avenue of extraploration opens up…

To answer the first question (and to hop over nursery rhymes, songs, my parents’ banter), my earliest poetic memory is not of reading a poem, but writing one. This makes me think that I must have read one, otherwise how would I have known what a poem was? But it seems that the poem at the heart of my own poetry has vanished.  What is left is a memory of creating tiny poetry books, maybe an inch and a half square, hand-illustrated and stapled, with rhymes like this:

My mummy is very kind
when you’re hurt she’ll bathe and bind
she wraps me up in bed
and kisses me on my head.
I love my mummy.

As far as I recall I was about six or seven years old. (I also wrote songs.)

While I must have read poetry at primary school (and maybe it will come back to me; I have a vague dusty feeling thinking about it, as if the poems I encountered must have said nothing to me), my first memory of a poem is from an English class age ten or eleven.  There is a line in it I still recall, although extensive googling does not retrieve the poem. It is my first memory of being stirred by poetic magic:

‘interminable flocks
hives of the archipelago’

The captivating five syllables of ‘interminable’ have never left me and I see flocks flying still as I breathe these lines, as far as the eye can see.

lost voice weekend

Exhaustion?
A sneaky virus on yet another train?
A cold morning run, who knows.
Silence overtakes me;
A sign.

Patience, patience,

Unexpected space
among commitments,
parting a to-do list thicket.
Stillness;
the beech trees hold their
breath too.

Patience dans l’azur.

Aside from life,
days slide into blur.
Voiceless, those with me
whisper back.

Chaque atôme de silence

I give into mystery,
tumble into poetry.

Est la chance d’un fruit mûr.

Wait.

Note: The lines in italics are taken from ‘Palme’ by Paul Valéry,

lost poem

A poem hovered near me the other day
while I was doing something else
possibly more important, I
can’t remember.

Giggling silently, it swished its yellow plastic
grass skirt,
tried to catch my eye.
‘Check me out’, it was
longing to say,
but it instead just lurked,
transmitting ‘catch me’, ‘catch me’
through its pores.
Preoccupied, tired, I was aware,
but not quite.

It was funny, maybe
even laugh-out-loud hilarious.
It wanted to be written in
rhyming couplets
for a joke; it was all
irony and winks and
hijinks.

I caught the tail of the poem
that preceded it, reeled it in,
but despite my inner
‘must write that down’
tasks overtook me.  The cute
poem with the dancing eyes,
disconsolate,
went to play elsewhere.

Maybe my cheeky quirky poem will come back to
visit me.  Maybe not.
Either way,
I’m not making the same mistake this time.

found poem – Paris, spring 2013, translation

But he brought to everything the gaze
of a superior artist, sensitive to the secret
poetry of the real and able
to express it afresh.

In life we do things, some we wish we had never done
certain things can be told
some we wish we could replay a million times in our heads
of course with words
but they all make us who we are
others with gestures
and in the end they shape every detail about us.

but there are moments which leave us speechless
if we were to reverse any of them, we wouldn’t be
the person we are.  So just live, make mistakes
completely lost and disorientated
have wonderful memories
at a loss to know what to do
but never ever second guess who you are
where you have been, and most importantly
where it is you’re going.
it’s here that dance begins.

Poetry is an extreme sport.

Notes: To bring out the contrasting voices in the main part of the poem, I have italicised the French voice.  I think this is a better option here than changing the layout of the poem, as I did to bring out the contrasts in the found poem from Stockholm.

For locations, see original poem.