digging

The process by which one unearths oneself from one’s life is highly mysterious to me. Is one’s life not oneself, for example, what self is being unearthed and from what other self? Why does one self feel like digging up another self? Why is it hard to do it? What happens if that self is not dug up? Why is there this sense of an unheard appeal from a self that to all intents and purposes is the same person. Who’s to say that what is being dug up is any more authentic or meaningful than the one who is, apparently, persuaded into digging.

Mysterious, and for the most part, unanswerable. There is some kind of appeal and it is somehow appealing. The one who responds to the call to dig is also mysterious, then. Why does she dig?

This digging is what I am spending my days on, so it seems, mining myself for something that is not certain, really to exist. I am so used to it that it feels certain to me. But I never know quite what I am digging for and sometimes when I have dug it up, whatever it is, I also don’t recognise it until later.

But nonetheless, the digging is part of me and so is the apparent regularity of sensing an appeal, often after weeks of performing at a high level other tasks and jobs that I actually do enjoy – I really don’t think I’m faking it. So then how does this part get so buried?

I am unusual in that I keep a daily journal and one of the very interesting elements of this practice is that one can visit oneself in any previous era of one’s life. Sixteen? I’m there, with my sixth form self, questioning the universe and pondering boys with my best friend. Twenty four? I’m there in a corporate job being appraised and wondering if I can get a mortgage on a flat in an aspirational area of a capital city, despite my frail pecuniary beginnings.

This week I have been revisiting selves of seven, five, and and three years ago, a year ago. It’s like digging in various layers of substrata and somehow I feel like I am getting somewhere, but where? It’s like lining up my younger selves in a row and interviewing them as witnesses to an event, the event of me, that I am somehow not quite able to grasp, and I’m relying on them to shed light on things.

Of course I talk to other people too, but almost none of them keep a record. Their thoughts are memories of memories. Mine are of their time.

I don’t know why it felt important to capture this thought in writing, but there is something that I’ve come to recognise as relatively unusual in this process, and this is on my mind as I continue it.

edge, rim, shore

I’m teetering
again
on the rim
or edge
threshold,
shore.
I’m not quite

a lure
a calling,
I’m being,
no, not forced
invited
drawn

All at once
the future
arrives to me
here
in this moment
now
shall I?

Will I?

Joy jostles
wildly
with my
wildest fears,
wild dreams
wilder than I know
can possibly know
bewildered
oh afraid oh
enticed oh
enraptured
oh, shall I?
do this
step off into
an unknown future
with you?

will you catch me?
will you?

I’m coming

Note: This poem continues the series of piano painting poems inspired by the music of Ludvico Einaudi’s Divenire, played by myself on the grand piano of my downstairs neighbours. Unlike the other poems in the series it was created before the painting, and was a path into the courage to face a new blank page and enter into the vulnerability of creating in the unknown.

season shift, glimpsing the unseen

I return to the theme of the season shift, which I am almost through, I think. Today was a treat day to a spa with friends – a rare event – but of course it meant soaking and cleansing in hot pools and bubble pools and terribly cold water pools, and scrubbing through (apparently) Japanese cleansing rituals and soaking weary feet.

I am more or less always on an inner alert for poetics and watery moments always evoke for me the feeling of baptism; death and birth. It is surprising how often in my life moments of transition coincide with moments of immersion.

The other women discussed lying on the sofa, which I could see was an eminently suitable choice for the weary restedness of a post-spa afternoon. But I felt alert, restless. I did not want to lie down indoors. Some kind of inner part of me is alive and suddenly feels renewed after a long trudge of weary tasks.

My being is vibrating and I am so relieved, as a kind of deadness kept threatening to take hold. I tried to reassure myself that this deadness was a mere effect of exhaustion, but I was afraid.

Returning home I didn’t know what to do. There are mountains of undone chores still, neglected as a result of too many work deadlines, too much travel. Food has run out, supplies have dwindled, friends languish unanswered.

Something deeper than a desire for progress overtook me, a calling, and, as it happens, into the still-furnished garden. One more day.

But where I sat yesterday looking back, today I sit in the present. I sit in the cleansed state of my spa self and feel the old things washed away, and me all new, fragile and yet available and alert. Available to new joys and pleasures, available to new adventures, available to deep wrestling and struggle, available to the future self of my being that is always drawing me forwards, through thick and thin, to her accomplishment.

The glimpse of the unseen is not a vision in the true sense; it is a sensation, a potency. It is where hope lies for the austerity of winter and the confusions of longings yet unfulfilled. It is a resonance of self that I inhabit when playing the piano, or listening to myself play; somehow this mood of self, this certain space, holds wonders for me; I can feel them, although I have no idea how to reach them, or how they will take form.

descent

I find myself
long ago,
remains of memory
scraps

What were you to me?
I ask him,
whom I never saw again.

And you, who meant so much to me
at the time
what were you? a vanishing?

I pick my way between the
haunting presences,
strangely comfortable and familiar
they don’t answer
neither did they

passive
controlling
hiding in their baggage
I poke at them a final time
what have you to say for yourself?
you?

silence, their ancient
language, patrolling my
invisibility, eliminating me
slowly
colluding,
familiarity chokes me

Who did this to you?
they don’t reply
I forgive them.