persevering

It’s more than a week now since I left the studio. To hold a place for the studio inside continues to be a work.

However, I am persevering with the studio rhythm. Even though I am not making it all the way to to the kind of things I was doing in the studio, I am making a perseverance in the first steps. Surely soon I will break through to a new depth?

An assessment of the current state:

Most days:
Piano (Divenire is sounding more and more beautiful)
Writing: journal, blog, documentation

Absent:
Photoing
Painting and poems (I am writing some but they feel less fluid than the ones from painting)
Collage and found poetry (the most lighthearted work, which counter-intuitively needs more time; also I don’t have access to a photocopier, I’ve just noticed)

My bag of artist things (paints, pencils, brushes, photographs, camera) lies neglected in the corner of a cupboard.

On the other hand, a lot of productive things have been done in the realm of chores and catching up with people after crazy work. And I’ve helped a friend surprisingly move house.

In times like this I need to remember to treasure and nurture the times there are and not fret (note to self).

So then now I continue on my way with persevering.

disturbance

And then, not quite the moment I’d mentioned the word ‘rhythm’ but not long after, the pattern has been disturbed. I forgot to bring my journal home from the studio, disrupting my normal writing time first thing in the morning. Then I realised that my carefully-herded into a less obstructive timeslot client meeting now required a fully powered laptop, but that that the ageing battery was at 73% and could not be relied on to last. Rushing over to the studio where the charger had been left meant that there was no time to play the piano before I left home.

And so on and so on..

In the wider scheme of things these minor turbulences are, of course, negligible. But I cannot live my creative nature patrolled by the legitimacy police. My creative work is to try to shimmy myself into the tiny cracks of the most vulnerable, neglected places of (my) being. That process is easily disrupted and I cannot help but be protective of it. A luxury, one might remark, and yes, in the context of what is going on around us that luxury is stark. But in the context of my own story it’s not quite so indulgent as that term implies, and perhaps if our world spent a little bit more time and care on its vulnerable places we might sleep easier.

So then, disturbance (category: small, agreed). As the etmology unveils, it is disorder, grief, agitation, turmoil, bewilderment, muddying, stagnation.

In the lightness of this season though, the disturbance, while apparent, is less of a suffering. In one of my favourite television programmes, the idea of ‘stirring up the waters’ is seen as having value, of offering a way out of weary patterns.

Has my rhythm already become a confinement?

Unknown.

I traversed all the minor disturbances, and now I am back in a more or less calm serenity. Or do I delude myself? I am awaiting a message and that message may have power to truly disrupt me, so then, yes, perhaps I am serene, but I am also aware of something stirring the nature of this calm existence, something beyond my reach and beyond my control.

And I wonder what it has to offer?

washed not quite up

Yesterday’s poem, ‘washed up‘ is one of my first poems on extraplorer where I feel like I have not quite got to the proper form of the poem.  Most of the poems I write here seem to write themselves a little bit.  They slide out onto the page, and I usually work to some kind of internal rhythm as I write them, a kind of inner knowing of the form which I can pay attention to, and there it is.

The idea of washed up has been stolen by the Emily poem.  I had an idea for a collection of poems called ‘washed up’, and I might still try to make this because it is a glowing idea still.  But I was also very impatient to used the idea of washed up and somehow the Emily poem came along as I wrote the title.

I like most of the poem (and thank you readers who also liked it), but I think that it has got more to come.  I can tell that what I would really like to do is to make the poem more formally restrained than my normal very fluid writing.  The first stanza captures the feeling of this.

‘She set sail
for distant shores
from home.
She stayed indoors.’

The 3/4/2/4 syllables in each line I think set the pattern for what the other stanzas should be like (maybe with some variation).  For me, this rhythm emulates the rhythm of the sea.   I like the idea that the formal restraint could also emulate some of Dickinson’s writing (for example), while the sea rhythms would make it embody the idea of it being washed along the currents.

Another thing that maybe needs to be sorted out (I have only just realised) is that there is a clash of imagery between something in a bottle ‘Glass bottled / tears’ and a notebook which is what I originally envisaged.  I would like to think about these more and see if they should both stay or only one.

As with the formal constraint, I think the use of some rhyme here and there (‘shores’/’indoors’, ‘tread’/’instead’) makes it also have an element of homage to Dickinson’s writing.

I would also like to work out whether I really like the repetition of ‘small hand’ ‘distant shores’.  I think it might be too heavy-handed.

At the end of the day, I was too impatient to post the poem.  I really wanted to have written something, which is a very different feeling to feeling something is ready.  But also, I feel excited that the poem might be something I could craft. For me this is progress because until now I’ve been scared to do too much crafting in case I get self-conscious and can’t write.  Instead this poem is giving me a little gift because it wants to be crafted!  Amazing!  Maybe there are some poems that want to be and some that don’t (poem as a pet  metaphor has snuck in again, hooray, my favourite).

The poem is teaching me how to write a poem.

Awe.

(I would say ‘back soon’ but it might take me a little bit of time to work this out…)

On empty

On empty

I have poured out
every
little
scrap of
myself,

have been witty,
have been wry,
have been honest,
have discrete,

have exercised my brain,
loved,
flung arms wide,
waited still in silence,
laughed from the heart,
and from the will,

have done chit-chat,
asked searching questions,
empathised, sympathised and dramatised,

remembered formulae,
offered a chocolate Father Christmas and reindeer,
written stories in the margins,
made air time for experts,

and now I gaze into space,
and wait for myself,
to return.