things I want to tell my children but might forget – winter walking

Walking in streets

Wherever we decide to go, we will be likely to be walking down streets to get there.  Hopefully it will be a sunny day, either crisp and cold, if it’s winter, or a fresh feeling in the air if it’s spring, or a hazy sunshine if it’s summer, or a bit blustery if it’s autumn.  If it’s raining, we will all have umbrellas.

As I am writing it is winter, so we will think about winter walking in streets.  There are two main kinds of winter walking.  The first kind is on a bright sunny day with blue sky.  On bright sunny days, it is normally colder, so you get some startling sensations.  One is the sensation of the bright light dazzling your eyes.  It is true that there might be a brighter light in summer, but in winter your eyes may not have seen such brightness for a while, so it feels more intense.  Also, if there is a frost or snow, the bleached colours reflect the sun more, adding to its intensity.  Another sensation is the breathing in cold air through your mouth.  Winter time often means spending lots of time indoors, with only indoors air to breathe.  This makes the sensation of breathing in outside air startlingly distinctive.  It is like breathing in freshness and adventure and mystery and delight.  As well as the feeling of the cold air in your lungs, there is the sharp tingling of the cold air being breathed through your nose.  However warm the rest of you is, your nose is poking out and gets the full freezingness of the atmosphere.  Even if this is a little bit painful, it makes you feel alive.  And this distinction between warm and cold is something you can only feel in winter.  In the summer, your body is warm, the air is warm, your breathing is warm.  But in the winter, while you may be warm as toast, the air around you is cold as ice.  These changes in sensation are one of the most exciting things about winter walking.

The second kind of winter walking is on a day when the sky is filled with a blanket of cloud (this is called being ‘overcast’).  Unlike the crisp clear blue sky winter walking, overcast winter walking feels mysterious.  The cloud dampens all sounds and makes even your steps sound covert.  Overcast winter walking calls for quiet voices and holds a sense of waiting – will it snow?  You are huddled together with everyone under a winter duvet, but everyone is in their individual world wondering what will happen next.  Even if the temperature is the the same as crisp clear blue sky winter walking, the sensations of seeing, sniffing and breathing are all a little bit attenuated (this means being held back a little bit, or reduced).  This makes it just a little bit easier to go quickly going about your business, as if under the radar, always ready to make a run for home.

Ispahan macaroon, Galeries Lafayette, Paris

Ispahan.

Perfect circles of
infinite air;
meringue.

Raspberries, picked at dawn,
glistening with dew,
by the hand of a young
maiden, remembering her lover
in a far away land.

Cloud of fresh cream
hand-speckled with lychee
released heady and trembling
with delight from
spiky shells.

Tinted with rose
reminiscent of childhood perfumeries

Slowly it slipped
from the fork
and all the way down to my heart,
now crying
with the bliss.

Ispahan.

Note: Written on location in Paris at the Pierre Hermé boutique.

reflections on blogging, one month review, ‘discovering more beauty through writing’

The subtitle to the blog ‘discovering more beauty through writing’ has also been on my mind.  I wrote it without any real reflection; this in itself is important for my work.  Writing is the place where I discover what I think and feel about certain things.  It seems to arrive onto my journal, a screen, a letter and it’s at that point that I find out what is there.  I know there are some people who mull over their work forming it in words in their mind before they write it down, but I’m not made like that.  Now I think of it, it’s like brewing tea (which I also love), I’m aware of phrases swimming about in my head for a certain period of time before they pour out in a writing stream.  I try to stay out of their way, because if too much conscious, analytical me gets in the way, they lose their naturalness.

There are several ways that I am discovering beauty through writing.  I love beauty – in nature, in things, in people, in adventures – and over time I have come to see beauty as a place in which magical things can happen, things like hope, healing, courage, revelation, insight.  In my own writing, I am trying to grow an attitude that sees more beauty in everything, but also to pay attention to particular instances of beauty, almost to amplify it in a world that is so often full of distress.  In addition to this, I have found that sometimes I can write about hard things and discover the beauty in them as I write.  This is because writing brings understanding and meaning, and it is meaning that can make difficult things bearable, and even redeem them and transform them into something full of honour and grace and depth.  For me, this is the true magic of writing.

Finally, knowing that I might want to write at any moment increases my attunement to the present.  It heightens my sensitivity to beauty all around me.  It makes me be on the alert for treasure that I can catch in my writing net and bring home to nourish people with.  It’s so much fun!

at the barre

I take my place
in Degas,
one knee bent, to
slide my foot into pink leather.
I wish I had ribbons and a tutu.

I walk over to the barre,
stand in a line with
Pauline, Petrova and Posy,
but the self I face in the mirror,
is a grown-up woman.

My head turns into
Coppelia, a line traced
through generations.
My toes point with
Bull and Bussell,
Pavlova, and Guillem,
almost.

I plié and rise,
and I am in a
pirouette of dancing
bliss.  The landing is askew;
I am alight.

‘And one and two
and three and four’
echoes all around
me and all around the
world.  A hundred little girls
and companies of swans and mice
and courtiers and peasants.

Did someone just call me a
ballerina?  Oh!

things I want to tell my children but might forget – going downstairs (and lifts and planes)

Going downstairs

You may be surprised that stairs are considered very important.  If you watch a film like The Snowman, you will notice that it shows James going down the stairs, even though it does not really show him walking down the hall or landing.  This is because there is something special about changing levels, and it is to do with flying.  While we are thinking about this we are also going to think about lifts and planes.

Lifts

‘Going up!’  In a lift, when you hear this announcement, try jumping.  What is funny is that the floor will come up a bit to meet your legs while you are in the air.  so your landing distance will be a bit less than your taking-off distance.  This is also true the other way round.  If the lift says ‘going down’, then jump and you will land a bit lower than you took off.  This creates a funny feeling like a smile in your legs.

Planes

The same kind of inner woosh happens when you are in an aeroplane that is taking off.  To get into the sky the plane must start by going very fast along the land.  At a certain point, the plane nose will be pulled up and the plane is no longer on the ground but in the air.  There is a particular sensation at this moment which is like a gasp inside you followed by a tiny ripple going through your veins; this is because you are now flying, something that people wanted to do for centuries before we were alive because they looked at birds and wanted to be like them.  We are very lucky because at the time that we are alive, people have found a way to do this.  There are other moments that we feel this feeling and we will think about those later.

It is a strange thing that it is exciting to leave the ground, but it is also a good feeling to land.  Both feelings are good.  Being in the air feels free and wild and brave and being on the land feels solid and connected and comforting.  It is a very good thing when both two opposite kinds of feeling are enjoyable.

Going downstairs

So now you can probably see why going downstairs and upstairs is a special kind of action.  The other thing about going downstairs is that it is a transition that takes time you can notice.  Getting up is a transition that is happens in the amount of time we could call ‘the blink of an eye’.  Blink!  You’re out of bed.  Going downstairs is a transition that takes about ten seconds (unless you run, or slide on a lilo).  So you can notice it while it is happening, if you decide to pay attention.