edge, rim, shore

I’m teetering
again
on the rim
or edge
threshold,
shore.
I’m not quite

a lure
a calling,
I’m being,
no, not forced
invited
drawn

All at once
the future
arrives to me
here
in this moment
now
shall I?

Will I?

Joy jostles
wildly
with my
wildest fears,
wild dreams
wilder than I know
can possibly know
bewildered
oh afraid oh
enticed oh
enraptured
oh, shall I?
do this
step off into
an unknown future
with you?

will you catch me?
will you?

I’m coming

Note: This poem continues the series of piano painting poems inspired by the music of Ludvico Einaudi’s Divenire, played by myself on the grand piano of my downstairs neighbours. Unlike the other poems in the series it was created before the painting, and was a path into the courage to face a new blank page and enter into the vulnerability of creating in the unknown.

door way

a door
you, who have come here
moved in, unlocking things
before I noticed,
What are you doing here?
Where did you find those keys?
and who told you where to find
those
locked up places?

Who are you to me?
Will you just unlock and leave?
leave all these rooms open?
for someone else to explore?
Are you a door yourself?
a key?
or a wide expanse of being, to discover?
a togetherness?

a depth?
a sea?


la vie suspendue en l’air

Je suis toujours là.

(Why do I want to express this time in French? It’s so particular; a form of linguistic escape, I feel, from the everyday. And sometimes you cannot live in the same linguistic air as certain politicians; a factor perhaps in my emigrating).

Je suis toujours là in this liminal space of mid-air suspension, a mid-air that is also a depth. And stripped by illness and everyone else’s holiday plans and still being a relatively recent inhabitant and not entirely speaking the language and the violent convulsions of the pandemic of everything pressing and usual and demanding. There is a certain quality of silence. And, it turns out that this silence is allowing some deep places of myself to make themselves known.

The day is almost excessively mundane – well, perhaps ordinary is a kinder word, as playing the piano and writing are hardly mundane for me. I’m hemmed in by my depleted energy levels. So there are only quiet activities going on. Yesterday: writing, lunch, listening to a friend, pondering aloud, reading, dinner, quiet conversation with a friend (quiet as I’ve almost lost my voice, alongside the other diminishments.)

But in that quiet space something is stirring. I am encountering my own deep substance, a being of myself that I have had so little chance to be in these last frenetic months. I have reached, it appears, a truth, a tenderness of self, a deep substance of my own being, a home of sorts, perhaps. It is a work of some experimentation to capture the texture of this encounter, the purity of it and its luminosity-with-substance quality. It is perhaps – suddenly it comes to me – the substance of the ‘eternity in the hearts of men’ that we cannot fathom, written about in Ecclesiastes.

So then my silence is making a space for this luminous goodness – the luminous uncanny I now remember I once called it – to intensify. I also know that in my personal history, these moments of imposed stillness are often of great import, places of gathering ahead of some unknown moment of vast renewal.

Je suis toujours là suspendue en l’air.

And in only a few short days I have moved from wrestling to treasuring, feeling this moment as something precious to protect and defend from whatever might disturb it before it is ready.

So then here I am, writing, playing music, attending to the ordinary, trying to be humble to my humanity while eternity does its work within me.

breath, breathless

stumble through the doorway
running, it seems I was
though now the old reality
seems distant, though yesterday

catch a breath
a gasp slow motion
exhalation, panic,
gulp another moment
sigh, disordered in
my being,
restless still

racing rat, fraught
thought, fought,
forlåt, what was that?
a tale, though how
you chased it

welcome
you are my guest
arrive, draw in deep,
what’s mine is yours
inhale hopefuless and wonder

my sighs pursue me,
echo the space alarmed
what happened to you?
life

a sweetness as a breeze
rose, orange blossom, peony,
fresh rain on gentled grass
far seas

I am arriving
I am born alive

Note: This is from the studio series inspired by paintings in my studio. The later paintings were written to the tune Divenire by Ludvico Einaudi. I can no longer remember if this one was. This is painted in Rose Madder, Permanent Rose, Cadmium Yellow, Cadmium Orange (all Windsor and Newton Professional) and Light Gold (Rembrandt). In my work these specific orange and yellow paints are indicative of the presence of a kind of fire, an element of the warrior nature. This first painting is the only one to use the fire colours. As if the arrival in the studio was a last breath of fire before the inhale and exhale of a more tender and touching reality.

nest

I am building a nest for you,
my love,
out of my hopes,
out of my dreams.

I am building it from sweetness,
that I allow to grow within me,
these sweet summer days,
on the threshold.

I am building a nest that will not fail us,
when you arrive,
and our hopes entwine.

I am building it from fire,
and longing,
a desire that will not snuff out
in cold winds.

I am building you a nest,
my love,
and when you discover it,
you will be amazed,
and you will hold me,
and we will be healed.

And new,
and at peace,
and whole,
and ready.