trees

depths and trees

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It’s such a mysterious work of the depths.

Also when just now there is almost no one who sees me. Including here, I notice.

Yet in this mysterious strange quietude, shifts of substance are taking place.

In my teens I once wrote a poem about my essence having deserted me. It’s on my mind now.

I am going about my day, a little bit drifting, a luxury after so much structured work. Just now it’s also very stormy weather. I tumble into reveries, watching the trees. The branches so wild, the trunk so still. The branches terrifyingly wild, it sometimes seems. It’s a shock that they can be tethered to any stillness at all, but they are, and the tree trunks look immoveable.

They are comforting me. Though the wildness of my current living feels ferocious, somewhere, also true, is the peace of a truly established being, with roots which go all the way to the source of life, which carry sustenance and which enable growing and straining. I am taking up everything I need to grow, and I am not hollow and will not, despite my feelings, snap in two when it feels too much.

I won’t. So the trees reassure me.

loop

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Something is looping it seems to me. Here I am, after all, in this blog again, suddenly drawn to it, unexpectedly. What is there for me in my earlier self, I wonder. What is there for me in this representation of a me that you, by being there, sometimes liking, create? It’s mysterious.

I have a week in a space that completely transformed my life, over five months in the summer of 2020. Yes, that summer. Perhaps I will write more about it another time but I knew then and knew even more later, that a fundamental shift had taken place in my perception. Perception of the world, perception of self. I had joked that 2020 would be the year of seeing clearly. The joke had me.

So then here too is a loop.

And I find myself rereading the stories of my childhood.

I’m so much older that when I began this blog. I feel it. I can feel the resonances of greater substance, ontological weight, density, weariness, power. I have ‘made my bones’ but they are heavier to carry around, whereas surely there should be a more expansive freedom?

The true lightness of freedom, the true depth of well-formed substance. Another mystery.

So then there is this younger self. I recognise her and I feel triumphant. The self she was wondering was there is me. Her innocence touches me and I wonder if I can rediscover that. Surely that is a treasure? It is not-knowing and it is, I realise as I write this sentence, fear. I am at risk of an idealisation. It was terrible to be that vulnerable, continually not knowing if there was something there, risking everything with the possibility of nothing.

Something was there.

Perhaps though this is the rediscovery and the loop. That vulnerability recurs. The sight of an old tree in spring always touches me. All those frail sensitive quivering leaves on those full grown sturdy branches. It strikes me how rare it is to see those qualities in a person. Fragility is for the young, it seems, the full grown branches necessitate a kind of firmly-enforced self-protection.

I’m getting nearer some kind of reconnection and when I do I will know what it is. It will be a freedom and a lightness. It will be a reunion and an intensification, an expansion of substance.

And in the meantime, I will write this all to you, who carry the me I might become.

a very golden sunlight

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a very golden sunlight
shafts suddenly across leaves
yellowed with glowing
oldness.
Illuminates memory,
gilding years of
subtle pain,
revealing glories
yet unknown,
to come, yes, to come,

the cold grass is dappled
for a moment,
warm here and there.

the red squirrel pauses
with its golden acorn,
tentative, suddenly
awareness rich,
hesitant to scurry
to store its treasure
for another day.

gone grey a moment,
mundanity takes
back its familiar
places, but not forever;
a golden knowing lingers.

Winter walk – question

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When I wrote ‘Winter walk‘ poem, I tried it with a final stanza to answer the poem’s questions. But then I could not tell if I had closed down the poem too much.

Here is the stanza I wrote, so you can judge for yourself.

If I make the world
stop for a moment,
and listen,
I can hear the sap
stirring, feel the
explosions of the
tiniest seeds,
almost reach out and touch
the promise of spring.

winter walk

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The trees are dying
Leaves yellow, brown,
drop, rot on paths,
trodden underfoot.

The air is dank,
Sullen November
skies weigh
wearily on the eye.

Passers-by,
preoccupied,
gaze into middle
distance, dodge
all greetings.

The birds have
given up and gone
south; anywhere
but here.

Is this what my
summer beauty has
come to?
Dare I ever hope
for more?