season shift, glimpsing the unseen

I return to the theme of the season shift, which I am almost through, I think. Today was a treat day to a spa with friends – a rare event – but of course it meant soaking and cleansing in hot pools and bubble pools and terribly cold water pools, and scrubbing through (apparently) Japanese cleansing rituals and soaking weary feet.

I am more or less always on an inner alert for poetics and watery moments always evoke for me the feeling of baptism; death and birth. It is surprising how often in my life moments of transition coincide with moments of immersion.

The other women discussed lying on the sofa, which I could see was an eminently suitable choice for the weary restedness of a post-spa afternoon. But I felt alert, restless. I did not want to lie down indoors. Some kind of inner part of me is alive and suddenly feels renewed after a long trudge of weary tasks.

My being is vibrating and I am so relieved, as a kind of deadness kept threatening to take hold. I tried to reassure myself that this deadness was a mere effect of exhaustion, but I was afraid.

Returning home I didn’t know what to do. There are mountains of undone chores still, neglected as a result of too many work deadlines, too much travel. Food has run out, supplies have dwindled, friends languish unanswered.

Something deeper than a desire for progress overtook me, a calling, and, as it happens, into the still-furnished garden. One more day.

But where I sat yesterday looking back, today I sit in the present. I sit in the cleansed state of my spa self and feel the old things washed away, and me all new, fragile and yet available and alert. Available to new joys and pleasures, available to new adventures, available to deep wrestling and struggle, available to the future self of my being that is always drawing me forwards, through thick and thin, to her accomplishment.

The glimpse of the unseen is not a vision in the true sense; it is a sensation, a potency. It is where hope lies for the austerity of winter and the confusions of longings yet unfulfilled. It is a resonance of self that I inhabit when playing the piano, or listening to myself play; somehow this mood of self, this certain space, holds wonders for me; I can feel them, although I have no idea how to reach them, or how they will take form.

spring, dry ground

a time has passed, days
we are long acquainted, and yet
separate

desolate, oh desert,
dry of tears and dust of weeping
endless plains
pains

heat of long despair
nothingness of prayer

colonising silence
I struggle to give voice
to my love’s song

deep and full within me
bubbling, turbulent
sweetness, warm and cool
a rain stored centuries
for you, hope

a stirring,
yet prisoned

break through,
ancient hope of truth,
beauty and delight,
break through

silence, hard and fierce
refusal,
my love’s song,
discouraged
deepens

a stirring
yet prisoned

distillation of sweet days
flowers, birds and beauty
resdolent with meaning,
moments bathed in wonder
atoms dancing, molecules
in song,
renewal’s promise
eternal
a sea, a stream, a storm
a purity of force

suddenly a rushing
unbidden, a fierceness,
filtering a crack, sudden, sudden

silence

a spring
ancient spring
I effervesce my wealth
raucous with abandon
liquid laughter
embraces stale silence
to life
baptises austerity
bathes pains
flows, flows, flows

Note: this poem is a work in progress and, interestingly to me, encapsulates in its in-progress state the very tensions intended to be present in the image of the poem that came to me this morning. I hope to come back to this image and poem at point with greater completeness. But for now the very representations of my own inner state of fullness and frustration evident in the not-quite-working feeling (at least to me) of the poem are wryly comforting.

wild the sea; the spray, gold

storm, the wildness is coming
restless, I scent the rain
distant, but nearing
me, adrift, chop

currents crush me to
each other, press into my
skin, insistent
you are mine, Mine
I don’t belong to myself

forces pull on limbs
a vast rose crimson,
pulsing in the drench

clatter, rain advancing from
another shore, nearer still,
nearer, sound the drums of
torrents, clash against clash
whip, foam, soak, slap,
gasp, yet not a drowning
yet

monstrous pitterpat
hail, rain!
splatter
tumult a poor shelter,
lift me up, hide me
may I nestle in your ferocity

dip into the pinkish hue
silence a moment
down
returning,

surface
all is rose dawn
wild sea; rain-spray, gold

Note: a second poem in a series painted to Einaudi’s Divenire, played by myself after a long absence. This life size abstract water colour is painted in Rose Madder and Permanent Rose (Windsor and Newton Professional watercolour) splattered with Rembrandt Light Gold (Series III watercolour)

a beautiful diminishment of beauty

Get ready
for a beautiful diminishment
of beauty.

I am braver.
Expect the ragged,
messy and bits of
mud and blood,
thorns and straw
poking everywhere,
astray.

I will drag through a hedge
backwards and
not care a jot.
I will go flying,
fall face down and
laugh
brazenly,
with tears.

I will wade into
a torrent,
snare my bare
foot in stones
along its bed,
soak right through and
nearly drown,
with longing.

I will try so hard
to form the impossible
that it will form
in me,
and you,
so beware.

Beauty is on its
way out because
it’s coming.

 

found poem, London, winter 2014

I like my town

Art is a dirty job but someone’s got to do it.

Back to basics.
Douceur d’enfance.

Today is a good day.
Live what you love.

She acts like summer
and walks like rain.

Art for all.
Discovery.

Let’s fill this town with artists.
Art is nothing without the gift

‘I love William Morris
as I love most artists who manage
to make their lives and work
completely part of each other.’

When William Morris lay dying in 1896,
one of his doctors diagnosed his fatal illness
as ‘simply being William Morris,
and having done more work than most ten men’.

Love is enough.

Own a masterpiece.

Welcome.

No peeking.

Skate.

He is like a tree planted beside the streams of water,
which yields its fruit in season,
whose leaves do not fade,
in all that he does he prospers.

‘Dying is as natural
as being born’.

The secret is out.

You are here.

Step into the adventure.

Thou God seest me.

A little patience won’t hurt you.

Notes on locations:  sign in Loft store, shirt in Loft, product in Loft, candle in Loft, art in Loft, art in Loft, Duke St Emporium, DSE, Landrover showroom, name of shop, sign in same shop, Anarchy and Beauty, National Portrait Gallery, cushion in NPG shop, sign in NPG, Jigsaw store window, Somerset House sign, engraving of Proverbs 1 in Somerset House monument, quotation attributed to Cecily Saunders, Kings College London, wording on a van, street map, advert on bus, wording above St Clements Danes church, sign on Tube.