progress

Well, I seem to be making progress although the measurements of that progress are often contested.

How do I measure it?

It’s a certain feeling – strength – that I can see returning to me. The familiar places of physical demand are not so depleting, the balance of the equation has shifted. I’m less emotionally raw, although that may be because I have had a respite from certain circumstances.

But mostly, it’s because I am getting to things that have long been out of reach, either practically or metaphorically or both. Yesterday I started the rereading of a long-written book draft, ready to, eventually, edit the second half and Send It Out once and for all. I’m connecting with people whose requests I have long let drift, taking up the tools of places in myself that have been beyond my grasp due to demands and the sheer limitations of one person’s confinement in the human condition.

There is a giddy euphoria at the return of a recognisable self that often entails overly enthusiastic ambitions and subsequent disappointments. This may indeed recur, as it’s part of personality dynamics which my whole life I have not escaped. But I’m perhaps also a little wiser, taking more time, letting things establish themselves more fully before I gallivant everywhere for the sheer joy of feeling more true.

It’s so particular that this specific space, of writing, and in writing so discovering something, has so much power for me. I am thankful, despite the flimsiness, so it feels, of my reach.

deplete, replenish

In the struggle that is this perseverance to hold onto the self that is present in the piano playing, I find myself needfully sensitive to what enables and what undermines my ability to hold and extend this attitude.

It sometimes surprises me how much very small things can have a disproportionate power to boost or to drain. In these days of waking already a little on edge, my very ordinary morning rhythms have an almost mythic quality, so much do they stabilise me on waking. Likewise beautifully written texts, an autumn leaf in the sun, kindness whether to myself or witnessed to others, my favourite tea, perfectly brewed, candlelight.

Anything that jars me looms larger, as an enemy: a minor breakage, yet another lie ushered by a public figure, an angry voice, whether to myself or witnessed to another, not finding an outfit that expresses some highly precise inner feeling, taking longer than expected.

This sensitivity attracts old shame: ‘making a fuss’, ‘overdramatising’, ‘self-absorbed’. Yet it is an expression of something deeply mattering to me, of a kind of protectiveness of a treasure.

There is a high level of personal exposure in my life and artistic practice, modest as it is, in that I try to live very true to what is happening, not numbing myself with the usual hiding places. I can see from old seasons and many acquaintances, that much of life is often lived muffled, a blur. It is easy to lose oneself in Responsibilities, Children, Scrolling and Series.

The tools of my work are the very sensitivity I am protecting, to joy, fear, nuance, significance, tone, mood, gesture and language. And beauty, love, tenderness, mystery and grace.

It is good to remind myself, to strengthen up that I have chosen what I am doing and living, and I embrace the entirety of that choice.

Then also it is only wisdom to address the depletions and accentuate the replenishments, looking out for them as I live the day.

surrender

I demand
your full and complete surrender.
I cannot afford for you to
smuggle in your idols
your entanglements of control,
manipulation, histories of lies
and poisons served to you
by the destitute.

Now! to love!
unconditional and sweet
beyond all being, beyond us,
beyond; a terrifying depth
that will elude us, often
and yet in longing,
lure us in
a fire, a fountain, a fullness
luminous in being
generous in hope
a truth of grace

I see your fear.
know it, intimately,
as my own.
I cannot concede my ground
however angry you become,
not having things your way.
The terms handed down to you
are a prison for us both.
I won’t sign. Your self-pity
doesn’t move me.

I choose love.
I choose love for us, again and again and again.
I will hope for better things. I know you long
for such.

I see your weariness, long depletion
of your heart until
you barely felt its presence
heard its beat.

I hear it.
I hear it echo from the future loud and strong
I hear it magnificent and wild and good and free.

Heart, be free!
Release yourself to love!
Brave heart, choose hope once more!
Shake off your disillusion!
Sing, hope, dance!
Your fears are mere impostors.
Rip up the twisted contract
full of woe.

I hold my breath, the hush of all creation.
Will you,
in triumph,
surrender?

loop

Something is looping it seems to me. Here I am, after all, in this blog again, suddenly drawn to it, unexpectedly. What is there for me in my earlier self, I wonder. What is there for me in this representation of a me that you, by being there, sometimes liking, create? It’s mysterious.

I have a week in a space that completely transformed my life, over five months in the summer of 2020. Yes, that summer. Perhaps I will write more about it another time but I knew then and knew even more later, that a fundamental shift had taken place in my perception. Perception of the world, perception of self. I had joked that 2020 would be the year of seeing clearly. The joke had me.

So then here too is a loop.

And I find myself rereading the stories of my childhood.

I’m so much older that when I began this blog. I feel it. I can feel the resonances of greater substance, ontological weight, density, weariness, power. I have ‘made my bones’ but they are heavier to carry around, whereas surely there should be a more expansive freedom?

The true lightness of freedom, the true depth of well-formed substance. Another mystery.

So then there is this younger self. I recognise her and I feel triumphant. The self she was wondering was there is me. Her innocence touches me and I wonder if I can rediscover that. Surely that is a treasure? It is not-knowing and it is, I realise as I write this sentence, fear. I am at risk of an idealisation. It was terrible to be that vulnerable, continually not knowing if there was something there, risking everything with the possibility of nothing.

Something was there.

Perhaps though this is the rediscovery and the loop. That vulnerability recurs. The sight of an old tree in spring always touches me. All those frail sensitive quivering leaves on those full grown sturdy branches. It strikes me how rare it is to see those qualities in a person. Fragility is for the young, it seems, the full grown branches necessitate a kind of firmly-enforced self-protection.

I’m getting nearer some kind of reconnection and when I do I will know what it is. It will be a freedom and a lightness. It will be a reunion and an intensification, an expansion of substance.

And in the meantime, I will write this all to you, who carry the me I might become.

And if I loved forty

And if I loved forty,
it would be for the sweet joy
of confidence in a room.

And if I loved forty,
it would be that I
knew my place
– inside out.

And if I loved forty,
it would find me able
to sit awhile with someone sad
and mourn.

And if I loved forty,
it would be to see dear friends children
grow old enough to make me
a cup of tea.

And if I loved forty,
I would embrace quiet,
evenings by myself
a blessing of solitude.

And if I loved forty,
it would be for long views still
of growing, and of grandeur.

And if I loved forty,
it would be for patience,
and for knowing
that all things are made new.

And if I loved forty,
my friends too would be
grown and worn into
comfortable grooves of
loving kindness.

And if I loved forty,
I would be wise.