shift, nearer

Yes, I went a little bit silent. Despite the sweet encouragements of the wordpress world (‘you’re on a [insert number here] day streak!’ I got absorbed into another direction.

I have been making a rhythm path into my creativity, but also, I notice now, my living.

As my creative practice is continually also an investigation into the nature of existence, the living and the art are closely intertwined. Deep shifts have been going on in my own deep life, old stories have been moving to take up new positions, new stories may or may not be being born, but they will only be able to be born if space is made for them.

Such a work is one of great tenderness and almost perpetual bewilderment, perseverance yes, and perhaps this is why this has been such a focus.

But now the shift has completed, or is completing, and then a new space is opening up. As usual the space comes with a sense of dizzying exposure alongside the delight. What will fill this space, what discoveries will get made, who will arrive to commune with it, how to protect it? It is a space for tiny flutterings and glimmerings yet as with all tender spaces most likely the giants of the land will be waiting to sneak in forbiddingly.

So I go gently and write and try to inhabit peace and trust. And to soak up and reveal in the creativity of a moment of blossoming freedom that comes rarely in life and is a gift of great power and beauty.

feeding perseverance

Today there was a certain new joy in persevering with the rhythm that will sustain the studio inside.

Alongside other chores, yesterday I had two calls with old friends, and although in a way both of them were need and I was helping (listening, which I am not always good at), the quality of the (re)connection – (‘re’, because we have been so little in contact in the ferocious wildness of the last two years) was very deep. They’ve both known me a long time, and although there is a certain element of them knowing a me that I no longer am, there is also a knowing of a me that I deeply am and will always carry with me, that newer friends will never truly know.

Then I cycled to the seaside on my bike, taking with the picnic food that my mother always makes for my family’s seaside trips, simplicity itself yet with the soul of a thousand small memories.

It is not totally the case that I have cleverly made a joy happen; it’s partly the sheer fact that after persevering with so many chores and so much work, some of them are now done. There is a loosening into the necessary tasks of the day. I am at liberty to untangle thing more, to create more freedom. I note to myself the importance of not accidentally accumulating more.

Nonetheless, I am aware of a kind of deeper nourishment. My soul is resting. My perseverance can come from a deeper place, from the deep heart rather than from a certain kind of drier (yet for a time necessary) intention.

In the middle of my life I found myself in a beautiful garden. I’ve longed for one, and although I expected it to be in a more conventional house and of a more private nature, the one I have tumbled into is a continuing wonder; a collective small garden converted from a tiny park, in the middle of the city, with small allotment boxes with the growings of strangers who are becoming known, and a communal, collectively tended vegetable garden from which I can at will pick spinach, herbs, beans, potatoes.

I feed my perseverance by putting myself in the path of beauty and trying not to neglect the wondrousness of existence, by a collaboration.

the studio inside, a discovery

This morning, at long last after the wild month of June, I recovered my sense of myself and the poetics of my year (my explorations of the poetics of existence and what this means for me will have to wait til another time). It was a moment of delight. I found my other self, the one that I had been severed from by difficulty, demands and distress.

What was it that made me see into it? I am not quite sure but it was something about my July clearing and it made me look back to the last large event in my life (moving home, another longer story). Then I noticed that it was exactly nine months since this moment, a period of time which always speaks to me in a deep way, and lo and behold, yes indeed, as I started to map the timelines of this season, insights and memories emerged that I had completely forgotten and the poetic significance they have in my story suddenly re-emerged.

Perhaps they are not linked but in close proximity to this I made my discovery: There were rhythms in even my short studio week that made a path into my creativity. And what I noticed this morning is that, while the physical studio is not longer mine, and the studio inside is (as I noticed yesterday) somewhat vulnerable, there is this studio of the rhythm.

Perhaps I had already felt this lurking, but to truly alight on it felt splendid. And quickly I recognised: I can live the rhythms of the studio day into my no-studio day, and somehow I will have created some room of my own within the wilds of existence.

Of course I am not so naive as to think a studio rhythm will replicate entirely the emphatic (and political) reality of material space, but there is something in it, and I know it is going to make a space for something. A pathway to and shelter for the studio inside.

spring, dry ground

a time has passed, days
we are long acquainted, and yet
separate

desolate, oh desert,
dry of tears and dust of weeping
endless plains
pains

heat of long despair
nothingness of prayer

colonising silence
I struggle to give voice
to my love’s song

deep and full within me
bubbling, turbulent
sweetness, warm and cool
a rain stored centuries
for you, hope

a stirring,
yet prisoned

break through,
ancient hope of truth,
beauty and delight,
break through

silence, hard and fierce
refusal,
my love’s song,
discouraged
deepens

a stirring
yet prisoned

distillation of sweet days
flowers, birds and beauty
resdolent with meaning,
moments bathed in wonder
atoms dancing, molecules
in song,
renewal’s promise
eternal
a sea, a stream, a storm
a purity of force

suddenly a rushing
unbidden, a fierceness,
filtering a crack, sudden, sudden

silence

a spring
ancient spring
I effervesce my wealth
raucous with abandon
liquid laughter
embraces stale silence
to life
baptises austerity
bathes pains
flows, flows, flows

Note: this poem is a work in progress and, interestingly to me, encapsulates in its in-progress state the very tensions intended to be present in the image of the poem that came to me this morning. I hope to come back to this image and poem at point with greater completeness. But for now the very representations of my own inner state of fullness and frustration evident in the not-quite-working feeling (at least to me) of the poem are wryly comforting.

the studio inside, reflections

In the morning I wrote about the studio inside and afterwards I went to play the piano downstairs (in my neighbour’s empty apartment) and I could feel it, a cavernous beautiful space, brimming with beauty and wholeness and a kind of truth.

I will live my summer from this feeling, I vowed to myself.

Then I went to help a friend move house, caught up on work matters neglected while I was busy and ill, arranged things, visited the still-packing friend, keeping her company while I dealt with personal emails, sent birthday cards to people (late) and wrote thank you notes and thinking of yous to friends in turbulence.

It is very much easier to respect the reality of the studio outside compared to the studio inside, I notice. I become invisible to myself and then my reality slides in a direction that is at odds with my true feelings.

Yet I feel an insistence that something is alive and important that I must tend.

It requires gentleness and care. Faced with looming to-do lists, it goes to ground and takes me time to coax it back into the open. I would strengthen my resolve but the very attempt at self-mastery likewise deters this tenderness from appearing.

I need to allow for the reorientation of my being.